You could get the beam angle a little better on the altered group with
r8x3 c e [u ax3nf \tbu2\ c \def\tbu#1{\relax}\def\qb#1#2{\qs}\ e ]
Also, note that in this special case there was no need to save and restore
the original definitions of \tbu and \qb but this will not always be the
case.
--Don Simons
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:tex-music-admin@;sunsite.dk]On
> Behalf Of Olivier Vogel
> Sent: Wednesday, November 13, 2002 2:08 PM
> To: [EMAIL PROTECTED]
> Subject: [TeX-music] xtuplet in pmx ending with a rest
>
>
> Producing a score that looks fine and producing a sound file that sounds
> fine are very different tasks. The main task of PMX is the first one:
> producing handily a beautiful score. The midi files produced by PMX are
> essentially useful to detect the eventual errors in the score by hearing.
>
> So, I think you have to decide which aspect you want to privilege :
> 1) the quality of the score (what realises the measure 1)
> 2) or the quality of the sound file (what realises the measure 2)
>
> In fact, PMX serves the first task and not the second one. The better
> solution is to use it for producing good score and to use another
> program to
> modificate manually the midi file got with PMX.
>
> Here is my proposition for your example:
>
> ====================
> 2 1 2 4 2 4 0 -4
> 1 2 20 .02
>
> bt
> ./
> w100m
> % tempo = 60
> It60ipipi
> %1 looks right, sounds badly
> a82 ze+ .ea a e /
> r8x3 c e [u ax3nf \tbu2\ c \def\tbu#1{\relax}\def\qb#1#2{\qs}\ c ] r4 /
>
> %2 sounds right, looks badly (very differently)
> % tempo = 60 * 1.5 = 90
> It90
> L2M
> m12/1/12/16 a82d s a1d s e1d+ a8d e8d //
> e83d s e1d s r1db r4db /
> r1 [ c- e ] [u a c ] r r4d /
> ====================
>
> Olivier
>
>
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