>|I had already responded to the original query with a PMX solution. Maybe
 >|"significant re-coding" is in the eye of the re-coder:
 >|
 >|=======================================
 >|1 1 4 4 4 4 0 0
 >|1 1 20 0
 >|
 >|t
 >|.\
 >|c24 \loffset{1.5}{\lpar5}\loffset{1.5}{\rpar5}\ c+s<.4 /
 >|=======================================

Thanks, Don.  Unfortunately, I don't use PMX.  If I extract what I recognize
as being musixtex

\loffset{1.5}{\lpar5}\loffset{1.5}{\rpar5}

I get good parentheses; to put the accidental in the proper place
between them I can use

\loffset{0.4}{\na5}

and add extra space before.  It'll do.

Bob T.

 >|>  >|> The commands \cna, \cfl, \csh, etc. in musixtex produce parenthesized
 >|>  >|> *small* accidentals. [...]
 >|>  >|>
 >|>  >|> [EMAIL PROTECTED] \smallna}
 >|>  >|>
 >|>  >|> Where do the parentheses come from?
 >|>  >|
 >|>  >|It seems that this question has not yet been answered; so, just for
 >|>  >|the fun to see how MusiXTeX works ... :-)
 >|>  >|
 >|>  >|The following macros are involved in a \cna call, in the order given:
 >|>  >|
 >|>  >|[EMAIL PROTECTED] \smallna}
 >|>  >|[EMAIL PROTECTED]  [EMAIL PROTECTED]@Na  [EMAIL PROTECTED]@ur [EMAIL 
 >PROTECTED]
 >|>  >|[EMAIL PROTECTED]@[EMAIL PROTECTED] [EMAIL PROTECTED]@ [EMAIL 
 >PROTECTED]@xl }
 >|>  >|[EMAIL PROTECTED]@[EMAIL PROTECTED]@sa\kern\accshift}}
 >|>  >|[EMAIL PROTECTED]@vii=\maxdimen [EMAIL PROTECTED] [EMAIL PROTECTED] 
 >[EMAIL PROTECTED]
 >|>  >|  \else [EMAIL PROTECTED] \fi [EMAIL PROTECTED]@}
 >|>  >|[EMAIL PROTECTED]@iv}
 >|>  >|
 >|>  >|That is: \cna sets [EMAIL PROTECTED] to \maxdimen. This is used just as 
 >a switch
 >|>  >|that is later queried by [EMAIL PROTECTED]; if the switch is set, 
 >[EMAIL PROTECTED] is called
 >|>  >|which in turn typesets character number [EMAIL PROTECTED] from the 
 >music symbol
 >|>  >|font. [EMAIL PROTECTED] has been set to 5 by macro [EMAIL PROTECTED] 
 >before, and the music
 >|>  >|character with that number happens to be just the pair of parentheses.
 >|>
 >|> Thanks. And now I see why it's so hard to produce "normalsized"
 >|> cautionary accidentals: the parentheses used come in pairs in the
 >|> musix fonts and are either too close together or too far apart for
 >|> a normalsized accidental. I suppose the "separate" left and right
 >|> parentheses in character positions 3 and 4 could be used but that would
 >|> involve significant re-coding.
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