In this case Hermann's redefinition of \raisebarno does appear to take effect. I think in the previous example, PMX did temporarily redefine \raisebarno, some distance after the start, after detecting a high note in the top staff at the start of a system that would have interfered with PMX's default barnumber positioning.
--Don Simons ---- Hermann Hinsch <[email protected]> wrote: > Am Montag, 20. August 2012, 15:58:11 schrieb Dirk Laurie: > > 2012/8/20 Hermann Hinsch <[email protected]>: > > > Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie: > > >> Your own redefinition of \raisebarno has no effect, since it appears > > >> in the tex-file > > >> before `input pmx`. > > > > > > I doubt that this is the reason because it fails in all other of my > > > scores beginning with the same order of instructions. > > > > That second paragraph with inline TeX comes right at the start > > of the PMX file inside the `---` markers, and by definition (see > > the PMX manual) will appear in the TeX file _before_ `input pmx` > > does. Since pmx.tex contains its own definition of \raisebarno, > > it will override the earlier one. > > ------------------------------- > > [email protected] mailing list > > If you want to unsubscribe or look at the archives, go to > > http://tug.org/mailman/listinfo/tex-music > > Dirk, please try the following source. I cannot find any redefintion. > > Style: Solo Bass > Solo: Voices B ; Clefs F ; Vocal > Bass: Voices BC ; Clefs F > Meter: m4206 > Pages: 2 > Systems: 10 > Indent: 0.05 > %Bars/line: 4 > Name: {f{$^3$}} {f{$^3$}} > Size: 16 > > %% \def\writebarno{\ifnum\barno>1\lrlap{\tenrm\it\the\barno\barnoadd}\fi} > %% \def\raisebarno{4mm} > %% \raggedbottom > %% \parskip 5\Interligne plus 7\Interligne minus 7\Interligne > %% \input musixadd > %% \input musixlit > %% \input musixdbr > %% \tenbf > > %% P > %% Ab > %% h280m > %% It100 > %% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{14}\ > % Bar 1 > B: g23d f8 X.5 e X.5 d4 e ( f2 > L: De-dit a-bys-sus vo- > BC: g23d f8 e d4 e f2 s > > % Bar 2 > B: f23 ) g d0 > L: cem su- > BC: f23 s g d0 4 x14#3 > > % Bar 3 > B: g02 d2+d c8 b > L: am, de-dit a- > BC: g02 d2+d c8 b > > % Bar 4 > B: a42 b c0 d2 > L: bys-sus vo-cem > BC: a42 b c0 d2 > > % Bar 5 > B: a02 d > L: su-am > BC: a02 4 x14#3 d # > > % Bar 6 > B: XS2 r2 (~ g23d f4 e d > L: al- > BC: r2 g23d f4 e d > > % Bar 7 > B: c43 d e f g a b )~ g > L: ti- > BC: c43 d e f g a b g > > % Bar 8 > B: d04 g2- ( g > L: tu-do ma- > BC: d04 #3 x144 x123 g2- g s > > % Bar 9 > B: g23 ) e f0s > L: nus su- > BC: g23 s e f0s > > % Bar 10 > B: g23 e ( d0 > L: as le-va- > BC: g23 e #6 d0 s 8# x146 x125 > > % Bar 11 > B: d03 ) g- > L: vit, > BC: d03 s 4 x143 g- > > % Bar 12 > B: (~ g23d a4 b g c2 s > L: ma- > BC: g23d a4 b g c2 s > > % Bar 13 > B: c44 s )~ g a2 e4 f g2 > L: nus su-as le-va- > BC: c44 s g a2 e4 6 f g2 4 x143 > > % Bar 14 > B: c23 g+d d4 e2 > L: vit ma-nus su- > BC: c23 g+d d4 e2 > > % Bar 15 > B: b42 c d2 g- g4+ g > L: as ste-te-runt sol et > BC: b42 6 c d2 4 x14#3 g2- g4+ g > > % Bar 16 > B: a43 a8 X.5 b X.5 c2 g g4 g > L: lu-na ste-te-runt, sol et > BC: a43 a8 b c2 g g4 g > > % Bar 17 > B: e43 e8 X.5 f X.5 g2 c- f > L: lu-na ste-te-runt in > BC: e43 6 e8 f g2 4 x143 c- f > > Hermann > -- > > ------------------------------- > [email protected] mailing list > If you want to unsubscribe or look at the archives, go to > http://tug.org/mailman/listinfo/tex-music ------------------------------- [email protected] mailing list If you want to unsubscribe or look at the archives, go to http://tug.org/mailman/listinfo/tex-music
