This is amazing! Andre has extended [j , ]j , and // beyond anything I ever
thought of. I assumed the beam continuations would only be used for a single
string of notes in sequence, and also that // would only be used at least a
full bar at a time. I’m still puzzling over how and why this all works. My
hat’s off to Andre!
--Don Simons
Andre Van Ryckeghem wrote
This are a few examples of staff crossing beams, What you want is something
like the 1st bar, for that no in line code is needed.
=======================
2 1 4 4 4 4 0 4
1 2 20 0
bt
./
w150m
\\def\chorsi#1{\prevstaff\zq{#1}\nextstaff}\
<file:///\\def\chorsi%231%7b\prevstaff\zq%7b%231%7d\nextstaff%7d\>
%\\def\chorsii#1#2{\prevstaff\zq{#1}\zq{#2}\nextstaff}\
% with beams, all in pmx
b42 ze- e2 zb+ b4 ze- //
[l+24+1 g8 g zc b b ]j
[l+24+1 g8 ]j rb [j b ]j [j b ]j /
[j c8 rb e e ]
[j c8 ]j [j c zg ]j [j e+ ]j [jl e zc ] //
g05 /
%
….
-------------------------------
[email protected] mailing list
If you want to unsubscribe or look at the archives, go to
http://tug.org/mailman/listinfo/tex-music
