Amazing! About the only one of these methods I thought of myself was
extending the stemlength. And I was thinking the same thing, that "S" really
should allow extending stems as well as shortening. In honor of Andre's
brilliant exploitation of the existing PMX machinery, I'll look into doing
that.

 

--Don

 

From: TeX-Music [mailto:[email protected]] On Behalf Of Andre Van
Ryckeghem
Sent: Friday, February 05, 2016 9:29 PM
To: Werner Icking Music Archive <[email protected]>
Subject: Re: [Tex-music] NEw pmx- VErsion

 

Ok, the "\chorsi{^OM}" is a little bit far fetched (it is going back to the
previous note and using musixtex notations)

I added another bar without in line code, but again using hidden features in
Don's beautiful pmx.

By the way, it is a pity one cannot use ie. 'b4S-9' in pmx.

Andre

==================

2 1 4 4 4 4 0 4

1 2 20 0

 

bt

./

w150m

\\def\chorsi#1{\prevstaff\zq{#1}\nextstaff}\
<file:///\\def\chorsi%231%7b\prevstaff\zq%7b%231%7d\nextstaff%7d\> 

%\\def\chorsii#1#2{\prevstaff\zq{#1}\zq{#2}\nextstaff}\

% with beams, all in pmx 

 

b42 ze- e2 zb+ b4 ze- //

[l+24+1 g8 g zc b b ]j

[l+24+1 g8 ]j rb [j b ]j [j b ]j /

[j c8 rb e e ]

[j c8 ]j [j c zg ]j [j e+ ]j [jl e zc ] //

g05 /

% 

%Normal chords

b4 zf+ X2 Gxe+s f2 zb- f4 zb- //

rbp /

\chorsi{^OM}\ d8 zf \chorsi{PM}\ d4 zf \chorsi{PM}\

d4 zf \chorsi{PM}\ d4 zf \chorsi{PM}\ d8 zf  /

%

% \sk's needed if rests at start of bar

m2424

r8 rb4 r8 /

r8+0 \prevstaff\sk\zq{^N}\nextstaff\sk\ f

\prevstaff\sk\sk\zq{N}\nextstaff\sk\sk\ fs r+0 //

r8b+0 b zds b zdsi rb+0 /

% other method

[ a83x1n ]j [+20m1 b8 ] a4 /

[-10 b8 ] [ a8x1n ]j  \stemlength{12}\ b4 /

[ a1x1n ]j [+20m1 b ] r4d /

[-10 b1 ] [ ax1n ]j  r4d /

==================

From: Dieter 

Sent: Friday, February 5, 2016 2:22 PM

To: [email protected] <mailto:[email protected]>  

Subject: Re: [Tex-music] NEw pmx- VErsion

Hi Andre,

I am most impressed what you can do already with the "[j... ]j" statement. 

However the meaning of "\chorsi{^OM}" is not obvious for me.

I wonder whether I will understand enough, in order to make use of these
techniques for my MusicXML-->PMX translator.

Thanks and regards,
Dieter

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