DIVINE INFORMATION  PART 49

Respectedfriends,

 While going through one of my external memorydevice, I came across some good 
information storedfrom websites. I thought of sharing interesting ones from 
them as aseries. 

 In part 49, I am starting with 163rd   item in this posting. Kindly note the 
series is a compilation.

 Sincerely, 

Gopala Krishnan 03-07-21

 163        STATUS OFWOMEN IN HINDU SOCIETY 

 The position of women in society isalways an index of the greatness of its 
religion and culture. 

 A woman has always been given a muchhigher status and position in Hinduism 
than in any other religion. 

 Women so inclined could availthemselves of the highest learning and there were 
many female seers andphilosophers. 

Inthe ancient times Sarada  wife ofMandanamishra, was appointed as judge 
because of her superior erudition andspiritual attainments. 

Warriorqueens like Kaikeye helped their husbands on the battlefields. 

Womenwere not married till they were in their late teens, sometimes even later. 
Theycould choose their own husbands and inter-marriages were common. 

Polygamyexisted in some societies but mostly amongst princes who contracted 
severalmarriages with daughters of neighbouring rulers for political reasons. 

 A woman was supposed to be themanifestation of Goddess/Shakti and the male 
(Shaktiman) was supposed to beincomplete without the female (Shakti) with him, 
whether he was a god or ahuman being. 

 Each male deity of the Divine Trinityhas his female counterpart; Saraswati 
(learning), Lakshmi (wealth) and Parvati(power). 

 Therituals especially auspicious ones, are incomplete when performed by a 
manwithout his wife co-participating. 

Dishonour to women was tantamount todishonour of the Almighty. Wife or mother 
commanded more honour and reverencethan husband or father. 

 With the onslaught of the foreigninvasions and the subsequent rigidity of the 
caste system, Hindu women losttheir independence and became objects requiring 
male protection. In the process they lost theopportunities they earlier had of 
acquiring knowledge and learning. 

 Starting from the early nineteenthcentury there arose a new upsurge of 
intellectual searching and re-evaluation of our ancient past withseveral 
reformers spreading the message of the need for purifying Hinduism ofits 
excessive rites, rituals and orthodoxy ad the heaping of inequalities onwomen. 

Some of the reformers of the time wereRam-mohan Roy, Ishwar Chandra Vidyasagar, 
Swami Vivekananda and MahatmaGandhi. 

 Womenin modern Indian society have full freedom and equality including the 
right ofinheritance.

164  SWASTIKA 

 The word ‘Swasti’ means auspicious, benevolent, a good deed or goodwishes. The 
Swastika is considered auspicious and is painted on the doors of houses in 
India to ward off evilspirits. 

Its origin goes back to the Vedic times (4500-2500 B.C.), may be evenearlier. 
Seals with the Swastika symbol have been found atexcavation sites in Harappa 
which date back to about 2000 years. 

 The Swastika is in the form of Greek cross withthe ends of the arms bent at 
right angles. The right-handed Swastika moves inthe clockwise directions and 
the left-handed in the counter-clockwisedirection. The latter is considered an 
evil omen and generally never used.  


TheSwastika is said to represent the Sun or Lord Vishnu. 

Inthe Puranas it has been described as the ‘Sudarshana Chakra’ or the wheel 
ofVishnu and also symbolizes the constant changes in the universe.

  TheSwastika has also been associated with the Sun (the arms representing the 
sun’srays) and also with Ganesha, the pathfinder whose image is often found at 
thecrossroads.  


In the ‘Siddhanta Saar’ the hub of the Swastikahas been described as the navel 
of Vishnu and the four lines as the four facesand four arms of Brahma. 

TheSwastika is considered as a tantric symbol and is drawn in various 
stylisedforms. 
Itis a tradition to pray to it during religious festivals and 
auspiciousoccasions. 
DuringDiwali, the festival of lights, and thefinancial year-end for the Hindu 
businessmen, new account books are opened anddecorated with the Swastika symbol 
and the words ‘Shubh-Labh’ (meaning ‘Auspicious Profit’) next toit. Prayers are 
also held so that the goddess of wealth, Lakshmi, will bebenevolent.

165 TANTRA 

 Tantra is a form of yogic practiceleading to divine ecstasy through certain 
rites that emphasize the erotic and the forbidden. 

Tantra is centred upon ‘shakti’, thedivine female power worshipped by the 
sadhakas (male practitioners) through the‘shaktis’ named after the goddesses 
who are her earthly incarnation in thetantric ceremony.

  While traditional Hindu spiritualityemphasizes abstinence from physical, 
emotional and tactile pleasures, as wellas the negation of the mundane world, 
tantra cultivates and makes use ofthem. 

 166        STRUCTUREOF A HINDU TEMPLE

 The structure of a Hindu temple is the sameall over India but there may be 
certain additions to its basic form dependingon the regional influence or the 
wealth of the temple and sometimes thepolitical influence. 

 

Forexample the double images in the ‘garbha griha’ and the high protective wall 
insome South Indian temples were meant to protect against the Muslim invaders. 

 Hindu worship is nor congregational inthe Christian sense, and is mainly 
personal except on certain occasions. 

 The structure of the temple istherefore based on the principle of having a 
small garbha griha (A in thediagram) where the image of the deity is installed. 

 Thereis a passage for circumambulation of the garbha griha.

 This is the heart of the temple and thedome or spire is normally above the 
garbha griha, except in South Indiantemples where the spire is generally at the 
entrance. 

Circumambulation after prayers is verynecessary and the passage around the idol 
is a essential part of the structureof the temple.  


There is a small passage called theantrala (vestibule) (B), which connects the 
garbha griha to the mandapa (C) orthe pillared hall where the devotees gather 
for worship. 


Thepillars normally have carvings of minor gods and goddesses, incidents from 
thelife of the main deity and sometimes scenes from thevarious epics.  


In some temples these carvings coverthe exterior walls of the temples. The 
entrance porch is called theardhamandapa (D). In some of the larger temples 
there are sometimes extra hallscalled the maha mandapa (E) and kalyana mandapa 
(F) used for holding largeprayer meetings. 


Iwill continue in next posting






 

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