Sanskrit is spoken pure as well as a local language like mani pravalam
,spoken language among ordinary people as PRAKRTHM. How was that can be
seen as written by Kalidasa in both system:
"Kalidasa’s Prakrit
----------------------
Most everyone knows Kālidāsa as a great Sanskrit poet and dramatist of
ancient India. But not everyone knows that Prakrit, the spoken language of
common people, found a prominent and honorable position in his works. Like
Sanskrit, different varieties of Prakrit became classical languages. Many
literary works were composed in these different Prakrits and these
Prakrits, over millennia, evolved into modern north Indian languages.
In the dramas of Kalidasa (and of other ancient Sanskrit dramatists too)
characters considered as belonging to the higher echelons of the society
speak Sanskrit and women and those belonging to “lower” social ranks speak
Prakrit. The Prakrit that Kalidasa included in his dramas must have been
the actual spoken language of his place and time. It is interesting how
closely it follows Sanskrit. The changes are mostly sound changes, many of
which are simplification of the so-called conjunct letters. Grammatical and
syntax changes are minimal. The difference between Sanskrit and Prakrit do
not seem to be greater than the difference between standard literary Tamil
and the Tamil spoken on the streets of Chennai, or standard literary
Malayalam and the Malayalam spoken in Lakshadweep, or even that spoken in
say Kasaragod, the northern tip of Kerala.
See a sample here. Bakulāvalika a maid of queen Dhāriṇī in the drama
Mālavikāgnimitram says:
ठाणे खु सज्जिदि दिट्ठी । इमिणा अंगुलीअएण उब्भिण्णकिरणकेसरेण कुसुमिदो विअ दे
अग्गहत्था पडिभादि ।
Ṭhāṇe khu sajjidi diṭṭhi. Imiṇā aṅgulīaeṇa ubbhiṇṇa kiraṇa kesareṇa
kusumido vi a de aggahatthā paḍibhādi.
My humble translation based on Rajaraja Varma’s Malayalam version is: “It
is not your fault that your gaze is riveted on it. The rays from the ring
make your palm appear as if it were blossoming.”
Kalidasa does not provide a Sanskrit translation of the Prakrit. People of
his time obviously understood the Prakrit portions and there was no need
for a Sanskrit translation. But later commentators of the drama provide
Sanskrit equivalent of Prakrit. The Sanskrit equivalent of the above,
provided by later commentators is:
स्थाने खलु सज्जति दृष्टिः । अनेनांगुलीयकेनोद्भिन्न किरणकेसरेण कुसुमित
इवतेऽग्रहस्तः प्रतिभाति ।
Sthāne khalu sajjati dŗṣṭih. Anenāṅgulīyakenodbhinna kiraṇakesareṇa
kusumita ivate’grahastah pratibhāti.
See the closeness of Prakrit and Sanskrit.
Sanskrit स्थाने - becomes ठाणे in Kalidasa’s Prakrit. Compare this with
modern ठाणा of Gujarati and Marathi and थाना of Hindi
अनेन अंगुलीयकेन उद्भिन्न
अनेन (इम + एन “from this”) – becomes इमिणा. Prakrit did not change ima +
ena to anena which Sanskrit grammar does.
अंगुलीयकेन उद्भिन्न – becomes अंगुलीअएण उब्भिण्ण. Just minor sound changes.
“dbha” becomes bbha. “ke” becomes “e” and there is retroflexion of n.
किरणकेसरेण - किरणकेसरेण. No change
कुसुमित इव ते अग्र हस्तः प्रतिभाति becomes कुसुमिदो विअ दे अग्ग हत्था
पडिभादि. Mostly sound changes.
See how closely Kalidasa’s Prakrit follows Sanskrit.
Has there been research done on Kalidasa’s Prakrit and its comparison with
other versions of Prakrit prevalent during different times and different
places in India? Say, how different Kalidasa’s Prakrit was from Emperor
Ashoka’s Prakrit in his edicts? I would very much like to know of such
research if such studies have ever been done.
I have taken the Prakrit and Sanskrit versions from Mālavikāgnimitram
translated into Malayalam by Keraḷa Pāṇini A.R. Rājarāja Varma. This was a
textbook for my Pre-Degree Malayalam classes. (The two-year Pre-Degree
program of my time is equivalent to the present 11th and 12th grades of
higher secondary.) The textbook provided the original Sanskrit version and
Malayalam translation.
Here is the translation by C.H. Tawney:
"It is meet that your gaze should be riveted on it. By means of this ring,
from which a stream of rays breaks forth, the extremity of your hand
appears, as it were, to be in blossom. "

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