One who is riding in a shallow well writes a nonsense; the author of that
article is world famous accepted by all including a state by name Kerala
unlike-unknown K I D who cannot write anything than jealous verbose abuse
alone KR IRS 18624

On Tue, 18 Jun 2024 at 21:19, 'gopala krishnan' via iyer123 <
[email protected]> wrote:

> Respected sir,
>
> I too read an unrelated response, ill treating the divine Nagaraja temple
> by Mr Rajaram. Most probably he did not get  any other stuff. He is going
> to suffer for making an ill treating response  from the naga Gods.
>
> Thank you sir, for the good words  about the posting and pains taken to
> compile information.
> Gopalakrishnan
>
> On Wednesday, 19 June, 2024 at 07:20:57 am IST, Narayanaswamy Iyer <
> [email protected]> wrote:
>
>
>
> Dear folks
>
> Why is an avowed Kerala-hater, an  avowed sneerer and condemnor of all
> things Malayali, and especially of the writings of Sri Gopalkrishnan, now
> venturing into an explicit caricature about the renowned and well-loved
> ancient Mannarsaala Sree Naagaraaja Temple in Kerala?
>
> And especially when he knows nothing about the subject-matter, and relies
> on some obscure brainless idiot who says the temple architecture is based
> on structures in China?
>
> Why does he secretly flaunt his non-Keralite antecedents, being a
> foreigner and a discredited Thamizh Thenkalai fish-and-flesh eater, who
> publicly made fun of the Kerala-braahmana vedic samskaaram of
> annaa-praashanam known as chor-unnu?
>
> What credentials does he have to comment on Sri Gopalakrishnan's
> carefully-composed and devoutly-written detailed account of the
> sacred Naagaraja temple?
>
> What makes the super-ignoramus and totally uneducated barbarian savage
> heathen say:-
>
> "*The nalukettu and ettukettu buildings must have been inspired from the
> ancient Chinese house architecture. Kerala had a long and strong history of
> trade with China"*  ?
>
> The traditional Chinese structures have the highly-decorated and
> elaborately-sculpted twin dragons on the roof, facing each other and with
> the elevated full moon in the centre.  I have personally seen many such in
> Malaysia, Singapore, Indonesia and the Philippines, besides Hongkong and
> mainland China.
>
> And they have huge urns partly filled with sand for burning highly odorous
> and smoky joss-sticks by the hundreds.
>
> Does the Naagaraaja Temple in Kerala have those?
>
> *Dear moderator of the keralaiyers website,  I beg you to ban the
> blasphemous defamer and gross liar K RAJARAM IRS 18624 from writing any
> further articles on this respectable and highly respected website.*
>
> Because of his incessant continuing outrageous behaviour, he has already
> been banned from submitting material to the iyer123 website long ago.  He
> is now aiming his venom and his defamation at and through your website.
> Please stop him.
>
> Thanks.
>
> S Narayanaswamy Iyer
>
>
>
> On Tue, Jun 18, 2024 at 10:18 PM Rajaram Krishnamurthy <
> [email protected]> wrote:
>
> SALA, KIZHAKKINI   PADINARE NALU ETTUKKETTU
>
>        The temple location is a forest; sarpakavu of Nagercoil and
> mannarsala are similar. Why only ladies priest? All Kerala history will add
> Parasurama and Kavu. But Namboodris so adamant then would not have
> permitted a Nambudiri woman to rule over at all. That Sala to Mannar shows
> the meaning below in the article. And women as head in that place arose,
> only because of the enforcement of “MARUMAKKAT TAYAM” Kerala took to China
> in their architecture according to the book written by Devu Nair in 2022.
>
>       The traditional homestead of old Tharavadu where many generations of
> a matrilineal family lived. These types of buildings are typically found in
> the Indian state of Kerala. The traditional architecture is typically a
> rectangular structure where four halls are joined with a central courtyard,
> or Nadumuttam, open to the sky. The four halls on the sides are named
> Vadakkini (northern block), Padinjattini (western block), Kizhakkini
> (eastern block) and Thekkini (southern block). The architecture was
> especially catered to large families of the traditional tharavadu, to live
> under one roof and enjoy the commonly owned facilities of the
> marumakkathayam homestead.
>
> Thachu Sastra, or the Science of Carpentry and Traditional Vasthu, was the
> governing science in this architectural form. This branch of knowledge was
> well developed in the traditional architecture of Kerala and has created
> its own branch of literature known under the names of Tantrasamuchaya,
> Vastuvidya, Manushyalaya-Chandrika, and Silparatna.
>
> The layout of these homes is simple, and catered to the dwelling of the
> large number of people usually part of a tharavaadu. Ettukettu (eight
> halled with two central courtyards) or Pathinarukettu (sixteen halled with
> four central courtyards) are the more elaborate forms of the same
> architecture. Rarely, twelve-halled Pathrandukettu were constructed. with
> three courtyards, and there is a record of a 32-halled Muppathirandukettu
> being erected, although it was lost to a fire soon after construction Every
> structure faces the sunlight, and in some well-designed naalukettu, there
> is excellent ventilation. Temperatures, even in the heat of summer, are
> markedly lower within the naalukettu.
>
> The nalukettu and ettukettu buildings must have been inspired from the
> ancient Chinese house architecture. Kerala had a long and strong history of
> trade with China
>
> Kerala’s architecture is always unique, and it emulates a very distinct
> style. Their buildings display the quality of work and the skill possessed
> by their ancient builders. Many ancient houses in Kerala comprise of 4
> rooms joined together, forming a rectangle with a yard in the middle. This
> construction is called the Nalukettu (four buildings) which prevailed
> several years back when the culture of joint family was prominent. The
> Nalukettu was a huge and spacious house which was built in the center of a
> compound with not more than one storey.
>
> Nalukettu can be seen in the traditional homes of the privileged class
> where culture and rituals are considered significant. The interiors of the
> house were decorated with a wealth of antiques made from teak, sandalwood
> and mahogany.
>
> Apart from the floor and foundation, the Nalukettu is designed of carved
> and slotted wood which has a similarity to the East Asian thatched
> structures. As years passed by, the coconut fronds were replaced by tiles.
>
> The Nalukettu comprises of four blocks which are Vadakkini (northern
> block), Padinjattini (western block), Kizhakkini (eastern block) and
> Thekkini (southern block). This was exclusively designed for the upper
> class homestead. One of the distinctive features it had was the rooms of
> the ‘salas’ which formed shady verandas. This made the room cooler and
> secured the rooms from direct sunlight. The southern & northern verandahs
> are enclosed, whereas the eastern & western verandahs are left open.
> Depending on the position of the Nalukettu, entrances to the building were
> provided.
>
> It is a traditional saying that when the rooms are designed inside a
> Nalukettu, bedrooms should be in the western or southern side and the
> kitchen should be placed in the northern or eastern side.‘Poomukham’ also
> known as the central veranda is made more appealing by adding trellis and
> architectural pillars.
>
> It is to be noted that the Nalukettu is an expansion of the concept of
> ‘sala’ in the Indian Science of Architecture. A ‘sala’ refers to a
> rectangular living room which consists of one or two veranda’s.
>
> Firstly, a single unit house also called as ‘akashala’ was built for the
> people in the lower caste. Another L-shaped hall was added to the
> ‘akashala’ which resulted in a two-structured house called ‘dwissala.’
> Considering the strength of the family and economic advancement, a third
> structure was added to the building. This was a three-sided open-ended
> square known as the ‘thrissala.’ As time passed by, the fourth side was
> also built which led to the Nalukettu.
>
> The Thatchans were trained architect-painters who were well versed in the
> science of ‘Vaastushastra’ and they were the reason behind Nalukettu being
> preserved.
>
> Interior Designing is a fascinating form of art which comprises not only
> modern creativity but also traditional artistry. The Nalukettu Architecture
> of Kerala is a concrete example and proves to be a unique space.
>
>           Mannarasala with four enclosures got its name where MANNAR has
> the same meaning as in TALAIMANNAR”. This place had Mandara trees all
> around and hence called MANDARA SALA. When Nagaraja realized that the
> objectives of his incarnation were realized, he informed his mother that
> henceforth he would live at this Illom by entering into Samadhi to bless
> the devotees. Then he suggested certain inviolable rituals and rules for
> offering worship and then went into the immaculate cellar, Nilavara and
> vanished. It is believed that even today that five-hooded Nagaraja stays in
> the cellar doing Tapas for the abundant prosperity of his dependents. The
> members of the household always refer to him with great respect and
> devotion as "Muthassan' (Grandfather). The jungle close by is the exclusive
> preserve for his unobstructed peregrinations (Appoppan Kavu - Grandfathers'
> Grove). MANDARA SOLODHAYAM A COMPOSITION IN Malayalam Grantham shoots the
> Mandara mountains and places all around. Tunjathu Ramanuja Ezhuthachan had
> glorified the place in his writing. THE BEST PART OF THIS PLACE IS, THERE
> ARE 30000 SERPENT S IN STORES, BUT SERPENTS ARE UNSEEN HERE. K RAJARAM IRS
> 18624
>
> On Tue, 18 Jun 2024 at 05:13, 'gopala krishnan' via iyer123 <
> [email protected]> wrote:
>
> *MANNARASALA SREE NAGARAJA TEMPLE**-Part 1-Compiled*
>
> Dear friends,
>
> From my boyhood I have recollection of making an offering to Mannarasala
> Nagaraja and keep it separately and once we visit the temple the offerings
> are put in Hundiyal, ir we saw  poisonous snakes in the premises of my
> native home. On those days we had to change three buses to reach Haripad
> from my native Pandalam. We had to walk 2 KM further to reach the temple in
> the fine sandy road.
>
> Now there is a bus stand itself before the temple, and buses from
> different places ply to Mannarasala and back.
>
> Before the marriage of my daughter I have conducted Noorum Palum in the
> temple on an Ayilyam day as suggested by an astrologer. After marriage, the
> Chief Lady priest had advised the couple must visit the temple and offer
> prayers. It was also done.
>
> Nowadays when I go to co- brother’s home at Cherthala, we take a taxi and
> visit Mullakkal, Ambalapuzha, Haripad and Mannarsala temples starting  from
> his home in the early morning.
>
> Valiamma (Eldest Namoothiri lady) is the chief priest and she observes
> celibacy once she comes to the priest.
>
> After worshipping in temple, we used to meet her in the illam, very close
> to temple and get blessings. Till recently an iyer was her assistant,
> Regular Poojas are done by Nampoothiries and special pooja by the valiamma.
>
> Nowadays everyday there is crowd in the temple. Brahmins are permitted to
> worship the deities closely; they are permitted by an entrance on the
> southern side. We have to wait and once in 15 minutes it will be opened for
> one minute to enter.
>
> I have watched the TV news the last Lady priest Umadevi Antharjanam passed
> away on 9-8-2023.  Whether the new Lady priest is selected after her and
> started functioning is not clear to me. If any regular visitor to temple
> read this post, he/ she can clarify about new priest.
>
> Sarpakavu (Snake forest) is on the way to illam with most tree trunks
> twisted can be watched from outside. Nobody is permitted to enter the kavu.
> The devotees can worship the deities installed in the way in chitrakoodams.
>
> Hope a divine reading.
>
> Gopalakrishnan 18-06-2024
>
> 1 Introduction
>
> Mannarasala Sree Nagaraja Kshetram is an ancient pilgrimage centre
> situated in south-west Kerala. Of all the places of serpent worship in the
> world  there is none that is more benign, awe-inspiring and legendary
> than Mannarasala, as blessed and envisaged by Lord Parasurama, the creator
> of Kerala.
>
> 2 Main deities
>
> Sree Nagaraja is the main deity at the Mannarasala Temple, Sree Nagaraja
> is Brahma, Vishnu and Mahesh in one. The deity represents Anantha (Vishnu
> swaroopa) and Vasuki (Siva in spirit). Various daily poojas and special
> poojas are offered to Sree Nagaraja throughout the year.
>
> Sarpayakshiamma is the consort of Sree Nagaraja. She is the other main
> deity consecrated at the northern side of the main temple. Along with Sree
> Nagaraja, daily poojas are offered to Sarpayakshiamma.
>
> Nagayakshiamma is also a consort of Sree Nagaraja. Poojas are offered to
> her by Mannarasala Amma as part of her daily thevaram, and on Ayilyam days.
>
> Nagachamundiamma is the sister of Sree Nagaraja. Poojas are offered to her
> by Mannarasala Amma as part of her daily thevaram, and on Ayilyam days.
>
> 3 Other deities
>
> Sree Dharmasastha Temple is situated inside the Mannarasala Sree Nagaraja
> Temple compound surrounded by dense coves. Daily nivedyam is offered to
> Sree Dharmasastha with utmost devotion.
>
> Bhadrakali Temple is situated towards the north of Sree Dharmasastha
> Temple. Daily nivedyam is offered to Goddess Bhadrakali and Sree
> Dharmasastha here
>
> 4 Legend
>
> The evolution of Mannarasala as the supreme place of worship of the
> serpent Gods is associated with Parasurama, the son of Jamadagini and a
> descendant of Bhrigu. When Parasurama decided to seek atonement from the
> sin of killing the Kshatriyas, he approached the holy Rishis. They
> suggested that he should make a gift of a land of his own to the Brahmins.
> Parasurama propitiated Varuna Deva (the Lord of the Seas) to get some land
> for himself. Varuna appeared before and advised him to throw his parasu,
> the axe which Lord Siva had given him, into the sea to reclaim land. He
> throws it and raises a piece of land from the sea and gives it as a gift to
> the Brahmins. This land is believed to be the present-day Kerala.
>
> In the beginning Kerala was not habitable because of the salinity. Not
> even vegetables grew there. People began to leave the place. Parasurama was
> pained at this. He undertook penance to please Lord Siva, who advised him
> that the objective could be realized only if the flaming poison of the
> serpents was spread everywhere and that the only means of doing that was
> the worship of Nagaraja.
>
> Parasurama, a yogi, firm of will and above all desire, decided that he
> would take no rest until he saw Kerala come up as a land of evergreen
> beauty full of trees and plants, prosperous in every way. He set out with
> his disciples in search of a deserted jungle in order to please Nagaraja
> who was inaccessible and beyond anybody's understanding. He found a
> suitable place near the seashore in the southern part of Kerala. Satisfied
> with having found a proper place for the realization of his cherished
> dream, the great Rishi constructed a Thirthasthala for the performance of
> penance.
>
> Nagaraja, who was pleased with the penance, appeared before Parasurama,
> willing to grant him his desire. Parasurama prostrated at the lotus feet of
> Nagaraja and prayed to realize his objective. Nagaraja granted his request
> with great pleasure. Ferocious serpents arrived at the spot at once to
> spread the flaming Kalakuda poison. Because of the percolation of poison,
> the land of Kerala was desalinated, to become habitable with greenery.
> Parasurama then requested the Lord to bless the land forever with his
> eternal presence, and that was also accepted by the kindly-disposed
> Nagaraja.
>
> 5The consecration of Nagaraja
>
> On a very auspicious moment, Parasurama installed, according to Vedic
> rites, Nagaraja, who is Brahma, Vishnu and Siva in one in the
> 'Thirthasthala' (Hall of pilgrimage) surrounded by Mandara trees, the place
> then known as Mandarasala. The installed deity here represents Anantha
> (Vishnuswaroopa) and Vasuki (Siva in spirit). The installations of
> Sarpayakshi, Nagayakshi and Nagachamundi, the Naga deities, as well as of
> their associates were conducted in the proper places with the proper
> rituals.
>
> Parasurama performed to the accompaniment of Vedic recitation and singing
> of Sama, Abhishekam, Alankaram, Neivedyasamarpanam, Neeranjanam, Sarpabali
> and other rites pleasing to the serpents and thereby made all the serpents
> happy.
>
> Parasurama brought learned people from other regions; installed Durga and
> other deities in different places; appointed Brahmins who were Tantric
> experts for performing poojas; nominated Kshatriyas, peasants and the
> Ashtavaidyas who were supreme among the physicians. After giving important
> instructions to be followed to preserve the sanctity of the place,
> Parasurama left to do tapas on Mahendra mountains.
>
> 6 Mannarasala: A new beginning
>
> Many generations ago after Parasurama left to Mahendra mountains, the
> Brahmin family who was left to caretake fell into the grief of childlessness.
> Vasudeva and Sreedevi were the sad couple who had to bear that heavy load
> of sorrow, who resolutely worshipped Nagaraja to allay their grief. It was
> about this time that unexpectedly fire broke out in the jungle around the
> dwelling place of Nagaraja and burnt down the jungle. The serpents were
> tortured by the flames, forcing them to hide in their pits with great
> difficulty. Vasudeva and Sreedevi looked after the serpents, who had their
> hoods charred, bodies half-burnt, and fainting from time to time, falling
> down and crawling along. They gently fanned them with fans made of
> sweet-scented grass and poured ghee mixed with honey and oil on the wounds;
> cooled their melted bodies with sandalwood ointment; and comforted them.
> They put them at the foot of banyan trees. They performed purification
> ceremonies and consecrated the pits; and were put up in special places
> under the shade of deodar trees and in Chitrakudas.
>
>  The couple performed abhisheka with Panchagavya (a holy mixture of five
> items from the cow's milk, curd, butter, urine and dung); observed
> elaborate poojas according to rules with areca nut flower bunches, fragrant
> flowers and water, incense etc., Nivedyam with melted butter (ghee), milk,
> payasam with molasses, rice powder, turmeric powder, coconut juice, Kadali
> fruit, cow's milk, all mixed together in the proper form as Nurum Palum,
> equivalent to the elixir of life. They offered serpent deities with great
> devotion, appam, aval (beaten rice or rice wafers), tender coconut etc.
> They chanted vedic mantras, performed circumambulation and performed all
> kinds of poojas to restore those crowds of serpents to full health.
>
> The omnipresent nipotent Nagaraja was greatly pleased with their
> continuous penance and the love shown to his associates; Nagaraja made
> himself visible to the couple and blessed them that he would incarnate on
> the earth as their beloved son. He said " I shall assume the form of a
> serpent and stay here (in Mannarasala) permanently, as long as the sun and
> the moon are there, showering prosperity on your family and granting
> protection to all the devotees who come here …".
>
> Thus Mandarasala, the place filled with Mandara trees, the holy spot where
> the serpents got shelter, where the earth was fully cooled, became
> Mannarasala (mann: Earth, ariya: cool, sala: place).
>
> 7. Birth of Nagaraja
>
> In due time Nagaraja’s boon came true, and Vasudeva and Sreedevi were
> blessed with two children. Sreedevi gave birth to five-hooded
> serpent-child, an incarnation of Nagaraja himself and a human child. The
> two brothers grew up together. Initiation ceremonies and Vedic education
> were carried out at the proper time in the traditional style. Nagaraja
> instructed the younger brother to enter into matrimony for the perpetual
> reservation of the holy family and he obeyed it. When Nagaraja realized
> that the objectives of his incarnation were realized, he informed his
> Mother that henceforth he would live at this Illom by entering into Samadhi
> to bless the devotees. Then he suggested certain inviolable rituals and
> rules for offering worship and then went into the immaculate cellar,
> Nilavara and vanished. It is believed that even today that five-hooded
> Nagaraja stays in the cellar doing Tapas for the abound prosperity of his
> dependents. The members of the household always refer to him with great
> respect and devotion as "Muthassan' (Grand father). The jungle close by
> is the exclusive preserve for his unobstructed peregrinations (Appoppan
> Kavu - Grandfathers' Grove).
>
> 8 Mannarsala Amma
>
> Mannarasala Amma is the supreme priestess of the Mannarasala Temple. *She
> is the mother of Sree Nagaraja. *She performs all the major poojas on the
> auspicious days of Ayilyam and Maha Sivarathri.
>
> 9 Rituals
>
> The beliefs and rituals associated with the Mannarasala temple are
> different from most other temples, and this is one rare temple where the
> pooja pattern is headed by a Brahmin lady. Legends say that when Nagaraja
> reincarnated and born to the then Mother of the Illom and left to Nilavara,
> he had given certain rights and instructions to his mother. He instructed,
> “Mother herself must offer me worship”. On certain special days men may be
> given a chance to worship. After Mother's time, the senior-most Brahmin
> lady in the family will have the status of the Mother. From that time the
> mother assumes this high position, Mother should live as a Brahmacharini
> and observe penance. Thus being the ‘Mother’ of the Lord himself,
> Mannarasala Amma became the mother of the land. She is popularly referred
> as Valiya Amma. Being the heart and soul of Mannarasala, pilgrims cannot
> leave Mannarasala without seeing that fascinating divine glow with their
> own eyes. Faithful devotees who come here to seek the blessings of
> Nagaraja, wait patiently to have a glimpse of Valiya Amma, and seek her
> blessings and advice to lead a prosperous life. That resplendent brightness
> of Valiya Amma who has turned into a symbol of Naga deities through fasting
> and other austerities, and performing rituals and poojas, sheds brilliant
> light on the temple and the environment, and endows it with heavenly glory.
>
> 10 Valiya Amma's pooja pattern
>
> Valiya Amma has a special pattern of pooja every day, and she must perform
> pooja in the sanctum sanctorum itself on certain days like:-
>
> On the first day of every month, Malayalam calendar
>
> On the day of Pooyam star each month, Malayalam calendar.
>
> From the beginning of Magha to the eve of Sivaratri.
>
> Thiruvonam in the month of Chingam.
>
> From the 1st to the 12th of Karkitakam.
>
> Twelve days before Ayilyam in Kanni and Tulam.
>
> 11 When Valiya Amma attains Samadhi
>
> When the earthly life of a Valiya Amma ends, the ceremony of cremation is
> different from that of other family members. The holy earthly body of
> Valiya Amma is placed in the four- chambered house of the Illom. (The
> 'Samadhi' itself will be in the southern hall of the four- chambered
> building). The cremation is held in a particular place between the temple
> and the Illom. During these days, only milk and fruit (Palum Pazhavum) will
> be offered in the temple. After offering nivedyam, the door will be closed
> immediately and will be opened the next day; on that day also it will be
> closed as on the day before. The mourning goes on like this for three days.
>
> 12 Festivals
>
> Mannarsala Ayilyam
>
>  Special poojas are offered on the day of Ayilyam in the temple and at
> Illom known as Ayilyam Pooja. The world-renowned Mannarasala Ayilyam is
> celebrated in the month of Thulam. Ayilyam is also celebrated with the same
> befitting grandeur in the months of Kanni and Kumbham.
>
> Mahasivaratri
>
> Mahasivaratri is a very important day at Mannarasala. The consecration of
> Sree Nagaraja is in accordance with the concept of Siva. The poojas also
> are on the Saivite model. Thus, Sivaratri assumed special importance
> among the annual festivities.
>
> I will continue as another  posting.
>
>
>
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