-- *Mar* The Language of Nature-Music or Sentence
Suppose you enter a very healthy and free forest, brimming with diverse flora and fauna. Suppose your sense and perception, via smelling, hearing, touching and seeing becomes so sharp, that you get spell bound. Automatically you tune up with nature and tune, sing and dance, your communication and understanding being response and addition. Music takes over as language. Music gets birth as the proto expressions and communications. Words, phrases and clauses develop as notes of music, free from the restraints of grammar, as life takes to timelessness. All the life forms around you join you, creating waves of expressions in diverse tunes. The Biosphere develops the common language of communication. Every organism feels the feelings of every other organism. Diverse subjects converge creating diverse predication flows, which in turn create more subject clusters, in musics, poems and songs as predications. Music and free nature grow symbiotically. Perception and understanding takes to singing and dancing. The other organisms join as responses. This is the language of the Biosphere, of nature, where communications are musical compositions. When you hear the pleasant music, it automatically becomes understanding, the teacher being the free nature. Wonderful hormonal messages in the bloodstream enliven every cell, creating anatomical connection to nature. Every cell of you gets connected to nature and to every cell in every other organism. Nature becomes one growing musical symphony, the ultimate Philharmonic. Today, thanks to our economic activity the music of nature has been killed. We no longer enjoy discoveries, revelations and their transformations into musics, poems and songs. The lunacy of continuous destruction of nature, poisoning the land, water and air, destroying nature’s geographies, and machines and machines everywhere, where no machine has feelings and internal hormonal communication, has been dignified and normalized as high brow economic scholarship. Machines have taken over music, cutting the foundational connection between the flow of music and natural evolution and diverse mutations. The students no longer sing and dance as understanding, connecting to nature. They are condemned to sentences.The music-less expressions of isolated subjects, isolated predications and particularized verb contexts. As they have to adore the altars of precision, definition, and concise they simply cannot sing as every song blends with nature, creating Raphael’s tapestry of expressions. In the free and healthy nature outside of isolated subject, verb context and predication, with sentence structures in the present, past and future tenses, nature thrives as one unending musical expression in one unending present perfect continuous tense. All past is the earlier part of the one sentence, always in the present perfect continuous tense that does not end. With economics we broke that wonderful living sentence, where the sentence takes to the inclusion of poems and songs as phrases and clauses. We cartesianed the language, mechanizing it and jailing it in definitions and scopes, cutting it from the one sentence of nature, in the present perfect continuous tense, where the past also joins the present, in evolving nature’s growth, where poems also function as clauses. It is for the Universities to start a ‘Free Nature Park’ without tampering so that the poems filled sentence gets revived. YM Sarma -- You received this message because you are subscribed to the Google Groups "Thatha_Patty" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To view this discussion visit https://groups.google.com/d/msgid/thatha_patty/CACDCHCJXbm4RB%2BF-ayjOEmNLP-BOJnNx1SuriVPWi3D_8ESWng%40mail.gmail.com.
