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The "Cylix" Type Fountain in Florence

Article Description:
====================

One form of small freestanding fountain is the "cylix" type, so
named because the footed, bowl-shaped basin which forms its
nucleus re­sembles both in shape and in proportions the classical
cylix or drinking cup. Only two basins of this type in the style
of the Florentine Quattrocento have been preserved:


Additional Article Information:
===============================

646 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2006-09-13 11:48:00

Written By:     Elizabeth Jean
Copyright:      2006
Contact Email:  mailto:[EMAIL PROTECTED]



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The "Cylix" Type Fountain in Florence
Copyright © 2006 Elizabeth Jean
Garden Fountains
http://www.garden-fountains.com



One form of small freestanding fountain is the "cylix" type, so
named because the footed, bowl-shaped basin which forms its
nucleus re­sembles both in shape and in proportions the classical
cylix or drinking cup. Only two basins of this type in the style
of the Florentine Quattrocento have been preserved: the marble
fountain which originally adorned the garden of the Pazzi Palace,
and the example, also in marble, bearing the insignia of the
Medici, now in the vestibule of the Pitti Palace.

The attempt to determine the general characteristics of the cylix
type is complicated by the fact that neither of these examples
has remained intact. The Palazzo Urn Fountain
(http://www.garden-fountains.com/Detail.bok?no=65) basin has lost
a portion of its pedestal, while the figure and upper basin in
the Medici fountain appear to be additions of the sixteenth
century. Representations of similar fountains in contempo­rary
paintings, medals, and drawings help reconstruct the norm. These
indicate that the cylix was usually surmounted by a shaft, in the
shape of a short column or baluster. This often attained a
consid­erable height and sometimes received elaborate decoration.
This portion, although lacking in the Pazzi cylix, is still
pre­served in the Medici fountain.

The numerous paintings, drawings, and engravings of the
Quattrocento in which cylix fountains appear prove that this type
was well known in the early Renaissance. A low number of basins
still exist from secular fountains, but holy water basins of
similar form abound in the churches, their pagan decoration often
contrasting strangely with their Christian setting, as in the
richly decorated pair by the Sienese sculptor Antonio Federighi,
in the Cathedral at Siena. As the holy water basins are not
supplied with running water, they must be distinguished from the
true fountains
http://www.garden-fountains.com/Categories.bok?category=Garden+Fo
untains (intended for the display of a continuous jet).

Such basins were clearly inspired by ancient prototypes, and the
influence continues to this day in modern fountain design. By
adding a Cylix inspired wall fountain or garden fountain to your
landscaping or garden project, you can take a piece of this
history home with you. Historical fountains and water features
provide inspiration for almost all current designers and
manufacturers, so adding one of these fountains is a great way to
build a connection from your home to old Italy. Beyond the design
beauty and characteristics of garden water fountains, they also
add water and moisture to the garden, which can attract birds and
other wildlife, and balance the ecosystem. For instance, birds
that are attracted by a fountain or birdbath are oftentimes the
best defense against flying insects that bother both humans and
plants.

The earliest examples of the Renaissance may have been modeled
upon the Roman vases of marble which often served as fountains
and holy water basins in Old Italian churches dating from
centuries ago. Some­times the Tuscan holy fountains bore figures
like their secular counterparts.

The rarity of true cylix fountains known to date from the
Quattrocento makes the handsome marble basin from the garden of
the Pazzi Palace of exceptional interest, quite apart from the
beauty of its contour and carving, and its traditional ascription
to so great an artist as Donatello. Here, as in the holy water
basins, the decoration is based upon classi­cal motifs drawn from
ancient urns, altars, and pilasters, applied with the lavish
feeling for all-over ornament characteristic of the Florentine
Quattrocento. Coats of arms bearing the Pazzi dolphins in a
fountain (http://www.garden-fountains.com/Detail.bok?no=1074)
motif decorate each corner of the upper surface of the triangular
base. The missing shaft, said to have been shaped like a baluster
or vase, probably resembled that of the acquasantiera at Lucca,
although it was undoubtedly shorter, supplying the needed
transition between the triangular pedestal and the bowl above,
and some­what increasing the height of the basin. Presumably the
basin originally contained an ornamental central shaft, through
which the water issued; but this has been lost.




---------------------------------------------------------------------
Written by Elizabeth Jean for http://www.Garden-Fountains.com 
where you can find a large selection of garden and wall fountains, 
as well as garden statuary and planters for container gardens and 
decor.


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