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>From Poetry to Tapestries: The Life of William Morris

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The life and history of artist William Morris 


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715 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2006-09-26 10:12:00

Written By:     Christine Toner
Copyright:      2006
Contact Email:  mailto:[EMAIL PROTECTED]



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>From Poetry to Tapestries: The Life of William Morris
Copyright (c) 2006 Christine Toner
The Tapestry House
http://www.thetapestryhouse.com



The talents of William Morris knew no bounds. An extraordinarily
gifted craftsman he succeeded at everything he tried his hand at.
And with an innate curiosity and an appreciation of all things
beautiful he tried his hands at almost everything.

Early life

Born on 24th March 1834 in Walthamstow, Essex Morris had a
comfortable childhood before attending Marlborough and Exeter
College, Oxford. Whilst studying for Holy Orders at Oxford in
1853 he met Edward Burne-Jones who would later become his
business partner and lifelong friend. He abandoned his studies
after reading the social criticism of Carlyle, Kingsley and
Ruskin and decided instead to become an architect. The young
novice became an apprentice to the G.E. Street, an architect
involved in the Gothic revival. But impulsively creative he soon
tired of this and began, like his friend Burne-Jones, to paint.
Finding art his forte he embraced it fully, writing poetry and
printing and learning how to weave and dye and work a loom. It
was the latter pursuit that would come to demonstrate Morris's
talent at it's most impressive. His spectacular tapestries
became his most famous creations.

Morris developed an array of skills. He learned to embroider by
unpicking antique pieces to learn the stitches; he set up a loom
in his house and taught himself to weave with only an 18th
century French manual for guidance. Within a matter of months he
had completed his first tapestry design. Acanthus and Vine was
designed and woven by Morris in 1879.

Morris, Marshall, Faulkner & Co. In 1861 Morris founded Morris,
Marshall, Faulkner and Company along with friends Peter Paul
Marshall and Charles Faulkner and subsequently begun the Arts and
Craft Movement. Together with Edward Burne-Jones and fellow
artists Ford Maddox Brown and Dante Gabriel Rosetti, the group
produced some of the most creative tapestries and wall hangings
Britain had seen. Indeed it was Morris's ambition to breathe new
life into the art and he achieved it. Morris's wall hangings and
tapestries still remain an important influence on design today.
It was Morris himself who once said "Whatever you have in your
room, think first of the walls, for they are that which makes
your house and home" (1882).

His most famous works generally featured figures drew by
Burne-Jones. Morris would design the background and the tapestry
would be woven by Morris, Marshall, Faulkner & co, which became
simply Morris & Co in 1874 when Morris took sole control.

William Morris tapestries The Quest for the Holy Grail, currently
exhibited at the Birmingham Museum is one of the most well known
works of Morris & Co. Like many of the others, the tapestry,
which depicts the fascinating story of the search for the Holy
Grail, was designed by Edward Burne-Jones. It is one of six wall
hangings illustrating the story and was woven in 1895-96.

One of the most intricate and beautiful creations from the
company, known as "the Firm", is the Tree of Life tapestry.
Designed by Morris it demonstrates his talent with patterns and
his awareness and appreciation of the use of colour. Symbolising
growth and continuous life, the Tree of Life wall hanging is
still one Morris's most recognised works.

Morris & Co.'s most popular religious tapestry 'The Adoration
of Magi' was first produced in 1890. As well as being Morris's
most ecclesiastical it was also the most complex. At least ten
similar versions of the tapestry were woven between 1890-1907.
Originally designed by Burne-Jones the tapestry depicts the
Nativity scene.

Possibly the most captivating and charming of Morris & Co.'s
tapestries is the Ehret die Frauen. Designed by Marianne Stokes
the hanging was inspired by a quotation from Friedrich von
Schiller's 1796 poem "Wurde der Frauen" (Women's Worth),
which appears in the upper border: "Honour the Women, they broid
and weave heavenly roses into earthly life." Real beauty does
not age Morris was one of the most prolific artists of the
nineteenth century. The works of William Morris are proof that
real beauty does not age. As popular today as they were over a
century ago, Morris tapestries have continued to play a big part
in sophisticated home décor. As Morris himself once said "Have
nothing in your houses that you do not know to be useful or
believe to be beautiful" (1882). 




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Copyright (c) The Tapestry House, all rights reserved.

Christine Toner writes on a number of subjects 
for the Tapestry House including unicorn art.
http://thetapestryhouse.com/products/list/medieval-unicorn.html 
http://www.thetapestryhouse.com/


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