Ciao Alex I appreciate your art-take. I particularly liked the sheep :-)
One thing I find interesting in TW is the role of LATENCY. In Bach's Italian Concerto (BWV 971), especially the second movement, the role of latency makes all the difference to the resultant different interpretations. https://www.youtube.com/watch?v=UyO6JD3q7zE (Tatiana Nikolayeva, piano) In TW there is a strong visual homology to that kind of aural latency. The issue being the point of emergence of (extanting) structuration from a liminal emergent pool enstructuring itself. What interested me was your explicit invention of a "guidus colloquia"--a Dolly clone. The problem with fragment-to-whole-formation is how to you form the whole sense of the whole prior to having it formed? I don't think this is a trivial issue. Rather, that edge is most interesting for the implicit creativity that must function to bring it off. Best wishes Josiah -- You received this message because you are subscribed to the Google Groups "TiddlyWiki" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To post to this group, send email to [email protected]. Visit this group at https://groups.google.com/group/tiddlywiki. To view this discussion on the web visit https://groups.google.com/d/msgid/tiddlywiki/0e76bda6-fd4d-4d5d-8e07-299dbdd934b1%40googlegroups.com. For more options, visit https://groups.google.com/d/optout.
