Mike Palij provides the The description of Bilal's art:
|The artwork, titled The 3rd I, is intended as “a comment on the 
|inaccessibility of time, and the inability to capture memory and 
|experience, the WSJ explains, quoting press materials from the 
|museum, which is to feature Bilal’s work among its inaugural exhibits.
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I asked the postmodernism generator at:
http://www.elsewhere.org/pomo/
to generate a review of the work, which I believe sums it up well. With
a little appropriate editing:

"The main theme of the works of Bilal is the bridge between reality and
society. Therefore, Bilal promotes the use of Sartreist absurdity to
challenge hierarchy.  Bilal states that we have to choose between
postsemiotic narrative and textual feminism. But the within/without
distinction depicted in his previous opus emerges again in this work. 
 If conceptual socialism holds, we have to choose between presemantic
desublimation and cultural libertarianism. Therefore, in the 3rd I,
Bilal examines conceptual socialism;  although, he reiterates the
Debordist situation."
And being someone who fully appreciates this kind of art I asked the
poem generator at:
http://www.poemofquotes.com/tools/poetry-generator.php
to compose the following (with grammatical editing)

My love for Bilal is so great,
my heart melts for him 'til the dusk of day.
The night captures when he's away,
experiences, fails 'til day's dawn.

His beauty is great,
Wondering mind 'til he sees,
accessing time is all I do,
While waiting for the moment,for him to say "I do."

I hope the work eventually goes on tour so that we can see it here in
the midwest.
Bill Scott






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