On Tuesday Mr G wrote:
>>Us underpriveleged fans want to know how it went, not just "It's so
brilliant". Is there anyone who can make subjective comments?

Folks,

Following Mr G's plea, I'd like to mumble on about Our House on Monday. I
tried posting it as one (very long) mail but it didn't work, so I've split
it into four parts.

I must admit the show was far, far better than anticipated. Like many of
you, I was worried about what they'd do to 'our' band, but don't worry -
it's a belter. 

Writer Tim Firth is obviously a fan, and that comes across in the care and
effort he, the director and the producers have taken with the whole
production. Like I say, the Maddies I spoke to afterwards were more than
pleasantly surprised.

Before curtain up, a few of us in the bar were expressing our fears that it
would be a weak story, held together with tenuous links to the Madness back
catalogue, sort of: 'I'll just put on my baggy trousers *cue song* and go
down to our house *cue song* to see Michael Caine *cue song* etc etc...'

We couldn't have been more wrong.

There's actually a cohesive story that would exist on its own merits,
without a musical.  If any of you have seen the 1998 Gwyneth Paltrow film,
Sliding Doors, it'll give you an idea of what to expect.

However, it's very hard to talk about the show without giving away the plot
and the (often excellent) visual effects and ideas, so if you're going and
would rather wait for the surprise (and it IS a surprise) then stop reading
NOW.

---------------STEVE CHAPMAN'S CUT-OFF
POINT----------------------------------

OK? Right...

In brief, the story opens with House Of Fun, with 16-year-old Joe Casey
going to buy condoms in Camden, in anticipation of a night with teenage
sweetheart Sarah. 

Then we're introduced to Joe and his family at 25 Casey Street, courtesy of
Our House, a stomping arrangement with cracking effects (see below).

Later, Joe and Sarah try and break in to a block of posh new flats nearby
for some, ahem, privacy. When the police arrive, Joe has the choice to flee,
or stay and face the music. The story now splits into two parallel parts,
like Sliding Doors.




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