mlsstl;520243 Wrote: 
> I just can't imagine Logitech expending the effort to come out with a
> 24/192 playback device. They are a consumer products company and seem to
> have little interest in chasing the super-audiophile end of the market.
> 
> 
> While the Transporter is still available, it seems to be in a wind-down
> phase of "OK, you can stick around as long as you don't cause any
> trouble." I just can't see them upgrading its capability from the
> current 24/96. 
> 
> The one credible argument that I've seen for 24/192 is on the recording
> and mixing side. When multi-track levels are adjusted dramatically
> during the mixing phase, you can get an unwanted increase in background
> noise at the lower resolutions. 
> 
> However, once the mix is set, any advantage between 24/96 and 24/192
> for playback of the final release probably exists more in the minds of
> consumers and record company marketing types. 
> 
> However, no one who buys a product ever needs to justify their
> preference to a third party. We are perfectly entitled to want what we
> want without having to "prove it" to anyone else. Every hobby has
> products that are marketed to those at that end of the spectrum; it's
> not just an audio thing. 
> 
> Now if one is doing research into human hearing or fundamental product
> development, testing and proof become important issues that help guide
> design priorities and advance understanding. That's a whole different
> world than audiophiles debating what they can and cannot hear in their
> own systems.

I have been a longtime fan of the Squeezebox but now I think I should
look at other options.


-- 
temerini
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