I just can't imagine Logitech expending the effort to come out with a
24/192 playback device. They are a consumer products company and seem to
have little interest in chasing the super-audiophile end of the market.


While the Transporter is still available, it seems to be in a wind-down
phase of "OK, you can stick around as long as you don't cause any
trouble." I just can't see them upgrading its capability from the
current 24/96. 

The one credible argument that I've seen for 24/192 is on the recording
and mixing side. When multi-track levels are adjusted dramatically
during the mixing phase, you can get an unwanted increase in background
noise at the lower resolutions. 

However, once the mix is set, any advantage between 24/96 and 24/192
for playback of the final release probably exists more in the minds of
consumers and record company marketing types. 

However, no one who buys a product ever needs to justify their
preference to a third party. We are perfectly entitled to want what we
want without having to "prove it" to anyone else. Every hobby has
products that are marketed to those at that end of the spectrum; it's
not just an audio thing. 

Now if one is doing research into human hearing or fundamental product
development, testing and proof become important issues that help guide
design priorities and advance understanding. That's a whole different
world than audiophiles debating what they can and cannot hear in their
own systems.


-- 
mlsstl
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