Late Night house-band gig 'enabled us to survive,' say the Roots

http://www.cbc.ca/arts/music/story/2009/02/19/roots-fallon-houseband.html


The Roots are making sandwiches.

The band is holed up in a Manhattan studio, preparing for their new
gig as the house band on Late Night With Jimmy Fallon, the NBC show
that will take Conan O'Brien's place when O'Brien moves to The Tonight
Show.

They're working long days to create 200 "sandwiches" or "beds" — the
intros and outros that will buffer each segment on the show.

"Right now, my whole life is this show," said drummer Ahmir Thompson,
better known as ?uestlove, in a recent interview as he lazily adjusted
his pick in his trademark Afro, slightly exhausted in between
rehearsals.

Since forming in Philadelphia in the early 1990s, the Roots have been
one of the best-regarded bands in hip hop and music, altogether. They
were one of the first hip-hop bands to take up instruments and under
the steady pounding of Thompson they've been an acclaimed act for
nearly two decades, with respectable (though not huge) album sales.

So when word got out that the Roots would be following in the
tradition of Paul Shaffer and Kevin Eubanks, the blogosphere and much
of the music world erupted in say-it-ain't-so shock.

Echoing the comments of many, Gawker.com wrote that the band "opening
up for Jimmy Fallon every night is the cultural equivalent of Miles
Davis playing his horn on the subway platform."

?uestlove has heard the warnings about the Roots becoming a late-show
band. He says his friend saxophonist Branford Marsalis — who abruptly
quit his gig as Jay Leno's musical foil in the early 1990s — cautioned
against the move: "You'll be neutered!"

But ?uestlove said the band's new job has "enabled us to survive.

"This would basically match or surpass what we would make touring
200-plus days out of the year. And, two, this allows us to be home,"
he said.

It's a welcome respite from the road for a band that has always toured
extensively. The band — most in their late 30s — are looking forward
to living like "normal men," ?uestlove said.

"Initially I was a little leery," said the Roots' MC, Tariq Trotter,
or Black Thought.

"I initially was thinking, 'Is this just going to be ammo for some
other rapper to try to dis me for?' Like, 'Your career is so over now.
You're a house band for…' You have to be that many steps ahead of
whatever move you're going to make."

The idea gradually sunk in, though, Black Thought said, "the further
we were sinking into economic disaster." When the economy went into
recession, ticket sales — their chief source of income — started to
slow. And with album sales tanking and the industry in tatters, acts
throughout music are considering different ways to make money.

"It was just sounding better and better as the months went on," said
Black Thought. "The pros outweighed the cons."

But the job is already more than the Roots bargained for. NBC isn't
paying for publishing rights — not even for the Roots own material —
so the band is left having to create a new TV-ready repertoire.

"It's going to be a major challenge," said ?uestlove. "Right now,
we're writing about 25 a day. I'm surprised we're not running on
fumes."

Fallon, the former Saturday Night Live cast member, has repeatedly
touted having "the best band in late-night." The idea came from
Fallon's friend Neal Brennan, who had worked with ?uestlove when the
latter was music director of Chappelle's Show on Comedy Central.

Fallon described pitching the band while they gathered in the office
of Lorne Michaels, the executive producer of Late Night: "Number one,
you will raise the bar of what a house band is, because you're the
Roots and you're amazing.… No. 2, I don't know who to compare you to.
You can play with Tony Bennett and on a separate occasion play with
Jay-Z and it works.… Third, you live in Philly, so it's an hour on the
Acela train."

There are other upsides, too. The Roots will certainly raise their
profile and attract new audiences. They will hold a residency at New
York's Highline Ballroom playing weekly shows and will continue
working on a new album.

They'll still have 10 weeks off to tour farther afield than the New
York metro area. And being based in New York will help ?uestlove, a
frequent producer of acts like Al Green, D'Angelo and Common, to get
back in the studio.

Seeing hip hop regularly on a late show will be revolutionary in
itself, but the Roots are more than a hip-hop band. Their debut Do You
Want More?!!!??! had an obvious jazz influence. The group may be best
known for their Grammy-winning collaboration with Erykah Badu, You Got
Me. Their hit off their 2002 disc Phrenology, performed with Cody
Chesnutt — The Seed (2.0) — is one of the best rock songs of the
decade.

They've toured with the Dave Matthews Band, joined The Colbert Report
in Philadelphia and played backing band for the concert film Dave
Chappelle's Block Party.

"We're going to cover every genre, though I doubt we'll do bluegrass,"
said ?uestlove. "This is a chance to really show people how diverse we
are."

The gig is most awkward for Black Thought, the band's frontman. He'll
mostly spit a quick rhyme or sing a couple of lines, but that will be
it. And anything that he sings or raps on air — as well as any music
played — will immediately be owned by NBC Universal.

"I didn't realize how difficult it was going to be until yesterday,"
said Black Thought. "It's not the blind cakewalk that I originally
foresaw this gig being."

Practising, the band slips easily from one style to the next and
appears to be relishing being such sonic chameleons. In one sandwich —
a poppy one, or as the band calls it, "a Subway sandwich" — you could
close your eyes and think you're listening to a more soulful U2.

One more bumper wrapped and ready for TV's newest sandwich-makers.

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