> If you consider this a mugging, I'd hate to see what you think of a really
> savage review. The guy went to the concert, didn't like it or the genre,
> and reported that. Perhaps it would have made more sense to send someone
> who was a little more inclined to like it, but jeez, I personally find that
> "fiddle and banjo crap" (© Martin Mull) excruciating to listen to, and
> would have been far less forgiving.

I put the blame on the editor who assigned a writer who didn't want to
be there. I'll even give the writer a bit of credit for trying to
describe the show rather than just moan about how it wasn't whatever
genre he'd have preferred to see. If I wondered about whether or not
I've had liked the show, though, I've have known no more after reading
this review than I did beforehand.

Once on Costas' Later (RIP), Stewart Copeland of the Police was the
guest, and Costas asked him about reviews. Copeland pointed out that
while audience members buy tickets because they expect to like a show,
reviewers show up because it's an event they're supposed to cover, and
so it's not a surprise when the critics don't like it as much as the
audience.

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