On Sat, Feb 16, 2013 at 2:56 AM, JW <[email protected]> wrote:

> Once on Costas' Later (RIP), Stewart Copeland of the Police was the
> guest, and Costas asked him about reviews. Copeland pointed out that
> while audience members buy tickets because they expect to like a show,
> reviewers show up because it's an event they're supposed to cover, and
> so it's not a surprise when the critics don't like it as much as the
> audience.

I am a Mumford & Sons fan, but I get the basic criticism of their
stuff, and the genre in general. I forget whether it was Conan or
Andy, but one of them posted on Twitter, "banjo banjo BANJO BANJO
banjo - Every Mumford & Sons song ever" and it made me laugh. However,
their breakthrough album was an ACTUAL album, not just a collection of
songs. It had a tight narrative thread, at a time when most don't even
have a loose thread.

The first concert I ever attended was in college. The Tacoma Dome
asked me and a few of my friends to capture video footage of the venue
so they could assemble it to use to lure more acts. It was a country
act, Brooks & Dunn and Alan Jackson. I like bluegrass-style country,
but I detest with a passion the sort of whiny, twangy, dog-and-truck
form of country by those acts. However, I approached the concert
differently, deciding to use the audience reaction to determine how
good the show was (for the record, Brooks & Dunn kicked ass, while
Alan Jackson only seemed to resonate with the Bud Light swilling
cougars who kept their cigs in their bras. Working on The Tonight
Show, as well as several award shows (not to mention an ill-fated
hip-hop dance show), I saw more than 100 well-known acts from all
genres, and my approach to each was the same. I saw kids too young to
know who Stevie Nicks was on their feet as she performed "Edge of
Seventeen" on Leno's stage, and I saw die-hard Prince fans keep their
seats, almost bored as he sang on the same stage. I became a fan of
Beck at the Shrine Auditorium during a sound check when the eternally
jaded and disengaged crew really got into his music. And I realized
that Leno's Tonight Show Band, then consisting of Kevin Eubanks, Vicki
Randall, Smitty, and the rest deserved to inherit the title from Doc
and his guys (and I realized the hacks that replaced Eubanks et al
aren't fit to perform at bars in Bakersfield). I can be critical of
music I dislike based on the audience, largely because I know my taste
is unique, but also because there is too much variety in music to
assume something I despise is universally considered crap.

Except accordion music. Accordions suck.

-- 
Kevin M. (RPCV)

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