When Netflix resigned Sandler they said Sandler's content was their most 
popular content. I don't think he is going anywhere any time soon.

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On Apr 23, 2018, 2:16 PM, at 2:16 PM, Adam Bowie <[email protected]> wrote:
>Thanks for that link.
>
>I think the author is being a little naive however. I've just finished
>a
>new book by Ben Fritz called The Big Picture which is very much worth a
>read if you want to understand current Hollywood. As he and many others
>have noted, the middle has fallen out of the market place now. Studios
>no
>longer make $50-$80m movies because they put all their chips in
>juggernauts
>that ideally belong to cinematic universes. Yes, at the low end, a few
>independent pictures creep out. Indeed horror is something of an
>outlier,
>with sometimes very profitable series being made at low budgets. But
>just
>getting Tom Hanks or Brad Pitt in your film is no longer enough.
>
>So these films go to Netflix - and perhaps Amazon. If they weren't
>buying
>them, then I'm afraid that they wouldn't appear at all in cinemas.
>Especially outside of cities like New York, LA and London. Everyone
>feels
>much safer with the Star Wars or Avengers movie. As the article points
>out,
>major studios are releasing far fewer films altogether.
>
>In the UK Annihilation went straight to Netflix which was a real shame
>because I'm sure that film would have been stunning at the cinema. But
>I
>couldn't swear that it would have done massive box office even with
>that
>cast and a British director. (It was even partially shot just up the
>coast
>from where my parents live!).
>
>I think the marketing of Netflix movies is a struggle - they're not
>spending the cash a distributor would if they released the movies to
>theatres - with a few notable exceptions. Personally, I'd like to see a
>film reviews alongside that week's theatrical releases in newspapers.
>But
>although I might not recognise all the titles at the top of The
>Ringer's
>piece, I think it's fair to say that if you listed every film that had
>been
>in cinemas so far this year, there would be dozens that I couldn't
>honestly
>remember either. And many of them will have been, well, average.
>
>Both Kodachrome and Mercury 13 are on my Netflix list - but I need to
>catch
>up with Westworld first. I definitely want to see new films from Paul
>Greengrass and Alfonso Cuarón! I just caught a trailer for Anon by
>Andrew
>Niccol, and I'm curious because I still love Gattaca (It's direct to
>Sky in
>the UK, but I believe Netflix elsewhere).
>
>If Netflix does a better job than it has done in alerting me to these
>kinds
>of films, and spends less time telling me about Adam Sandler films that
>I'm
>not going to watch even drunk, then perhaps the model might work. While
>the
>company is haemorrhaging money and to my mind the jury's still out on
>whether they have a long-term sustainable business model, if their
>growth
>continues and they keep giving me things I want to see and,
>importantly,
>can direct me to them, then maybe it'll work.
>
>
>Adam
>
>On Mon, Apr 23, 2018 at 6:42 PM, Kevin M. <[email protected]>
>wrote:
>
>> Just as there was a dot-com bubble in the 90s, I suspect we aren’t
>far
>> from an online media bubble, or at least a major restructuring of how
>> movies and TV are financed. Just as the unions seemed to be working
>out
>> fair (or fairer) compensation for DVDs, content distribution shifted
>to
>> downloads and streaming. So we have to go through it again.
>>
>> There is a finite number of venture capitalists who can throw gobs of
>> money at all of the companies like Netflix and Hulu, to get nothing
>in
>> return.
>>
>> On Mon, Apr 23, 2018 at 10:28 AM Steve Timko <[email protected]>
>wrote:
>>
>>> A recent surge in new movies added to the service has made Netflix
>the
>>> biggest producer of original films in America. But if most of them
>are
>>> completely ignored, does it matter how many the company makes?
>>>
>>> https://www.theringer.com/movies/2018/4/20/17258960/
>>> netflix-movies-streaming-business
>>>
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