There are entire TV series which are disguised as documentaries but really
aren’t. “America’s Book of Secrets” is sometimes interesting but rarely
factual (and nothing they televise is ever a secret). And those shows about
hunting ghosts (which don’t exist) are shot in the style of a factual
documentary, albeit in darkness.

The term documentary can be used to describe a lot of media, including some
reality shows, but I don’t think narrowing the definition will solve
anything. There is a market for badly produced TV, and I suspect there
always will be, regardless of its label.

On Mon, Apr 12, 2021 at 3:55 PM PGage <[email protected]> wrote:

> Totally agree about the bloated run times, as I think we discussed with
> the Woody “Doc”. I have had a couple of No Shows today at work, so almost
> done with “This is a Robbery”. Clearly it would be much stronger at under 2
> hours than closer to 4.
>
> Your closing point is my main point as well. I am not in favor of banning
> bad or pseudo documentaries, but it is pissing me off to see bad docs
> passed off as good ones. I don’t think it would be that hard to set some
> basic criteria, then come up with a term that refers to “real”
> documentaries, and another, non pejorative term, that refers to the other.
>
> On Mon, 12 Apr 2021 at 3:23 PM Adam Bowie <[email protected]> wrote:
>
>> I think that it's pretty clear that quite a few things have changed in
>> the documentary genre, but like everything, there are good ones and bad
>> ones.
>>
>> My personal bete noire is the over-extension of stories into multiple
>> episodes when the story just doesn't deserve it. I guess that this all
>> follows the success on Netflix on series like Making a Murderer, and then
>> more recently Tiger King. The former was a well told narrative, made over
>> years, and deserving of the series length they delivered. But I believe
>> that Netflix only came on board fairly late in the day. It was a massive
>> success, at least by Netflix's metrics, where keeping audiences coming back
>> for many hours is critical for maintaining subscribers. The worst case of
>> this I came across recently was the HBO series on McMillions. It was a
>> decent story, but could have been told in 90 minutes instead of six hours.
>> I didn't make it to the end I got so frustrated with it. (SNIP)
>>
>
>> I think some of the problem is that the same broadcasters/streamers
>> produce both good docs - the kind that win Oscars, BAFTAs and Emmys - and
>> tabloid trash. The same glossy "sheen" is applied to all of them, and it's
>> really hard to tell in advance, without knowing at least something of the
>> makers and perhaps their previous output, whether we're going to get
>> something good, or something trashy.
>>
>>
>> Adam
>>
>
>>
>> On Mon, Apr 12, 2021 at 6:55 PM PGage <[email protected]> wrote:
>>
>>> I am watching “This is a Robbery...”, like many, I always like a good
>>> (sometimes even a not so good) art heist story.
>>>
>>> The story here is interesting, but there are elements of the documentary
>>> style that I dislike (musical and sound effects, and some visual effects,
>>> added to create cheap drama). But what is really interesting to me is how
>>> this relates to the state of TV (especially cable and streaming)
>>> documentaries. After the shit show that was ‘Allen v Farrow’, I did some
>>> reading and found that there is a general sense that the skyrocketing
>>> popularity of documentaries on places like Netflix and HBO has been
>>> accompanied by a plummet in credibility and journalistic integrity. That
>>> helped me place the Allen project in a better context: more infotainment
>>> than actual news documentary.
>>>
>>> It does seem that someone, perhaps news divisions at the TV networks, or
>>> outside sources like Columbia School or Journalism, needs to define a sub
>>> genre of news documentary, and establish criteria and best practice
>>> guidelines. Then we could have like entertainment documentaries, that would
>>> perhaps contain a disclaimer of something like “inspired by real events”,
>>> and news documentaries, that would indicate it was produced based on
>>> accepted journalistic standards.
>>>
>>> I’m only halfway through “This is a Robbery”, and so far think it is not
>>> as entertaining as a Ian Pears novel, and about as credible as a
>>> documentary on the History channel.
>>>
>>> On Mon, 12 Apr 2021 at 7:16 AM Mark Jeffries <[email protected]>
>>> wrote:
>>>
>>> For the Sunday after Easter: (Snip)
>>>>
>>>> 2.  THIS IS A ROBBERY:  THE WORLD'S BIGGEST ART HEIST--The Netflix
>>>> original true crime docu-mini about the 1990 theft from the Gardner Museum
>>>> in Boston of $500M of art works dropped Apr. 7 and has an 88% RT
>>>>
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-- 
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