Yes, but the problem with what goes by the name documentary is more than
just production values. Books are classified as “Non-Fiction”, without
implying they are journalistic.

On Mon, 12 Apr 2021 at 4:14 PM Kevin M. <[email protected]> wrote:

> There are entire TV series which are disguised as documentaries but really
> aren’t. “America’s Book of Secrets” is sometimes interesting but rarely
> factual (and nothing they televise is ever a secret). And those shows about
> hunting ghosts (which don’t exist) are shot in the style of a factual
> documentary, albeit in darkness.
>
> The term documentary can be used to describe a lot of media, including
> some reality shows, but I don’t think narrowing the definition will solve
> anything. There is a market for badly produced TV, and I suspect there
> always will be, regardless of its label.
>
> On Mon, Apr 12, 2021 at 3:55 PM PGage <[email protected]> wrote:
>
>> Totally agree about the bloated run times, as I think we discussed with
>> the Woody “Doc”. I have had a couple of No Shows today at work, so almost
>> done with “This is a Robbery”. Clearly it would be much stronger at under 2
>> hours than closer to 4.
>>
>> Your closing point is my main point as well. I am not in favor of banning
>> bad or pseudo documentaries, but it is pissing me off to see bad docs
>> passed off as good ones. I don’t think it would be that hard to set some
>> basic criteria, then come up with a term that refers to “real”
>> documentaries, and another, non pejorative term, that refers to the other.
>>
>> On Mon, 12 Apr 2021 at 3:23 PM Adam Bowie <[email protected]> wrote:
>>
>>> I think that it's pretty clear that quite a few things have changed in
>>> the documentary genre, but like everything, there are good ones and bad
>>> ones.
>>>
>>> My personal bete noire is the over-extension of stories into multiple
>>> episodes when the story just doesn't deserve it. I guess that this all
>>> follows the success on Netflix on series like Making a Murderer, and then
>>> more recently Tiger King. The former was a well told narrative, made over
>>> years, and deserving of the series length they delivered. But I believe
>>> that Netflix only came on board fairly late in the day. It was a massive
>>> success, at least by Netflix's metrics, where keeping audiences coming back
>>> for many hours is critical for maintaining subscribers. The worst case of
>>> this I came across recently was the HBO series on McMillions. It was a
>>> decent story, but could have been told in 90 minutes instead of six hours.
>>> I didn't make it to the end I got so frustrated with it. (SNIP)
>>>
>>
>>> I think some of the problem is that the same broadcasters/streamers
>>> produce both good docs - the kind that win Oscars, BAFTAs and Emmys - and
>>> tabloid trash. The same glossy "sheen" is applied to all of them, and it's
>>> really hard to tell in advance, without knowing at least something of the
>>> makers and perhaps their previous output, whether we're going to get
>>> something good, or something trashy.
>>>
>>>
>>> Adam
>>>
>>
>>>
>>> On Mon, Apr 12, 2021 at 6:55 PM PGage <[email protected]> wrote:
>>>
>>>> I am watching “This is a Robbery...”, like many, I always like a good
>>>> (sometimes even a not so good) art heist story.
>>>>
>>>> The story here is interesting, but there are elements of the
>>>> documentary style that I dislike (musical and sound effects, and some
>>>> visual effects, added to create cheap drama). But what is really
>>>> interesting to me is how this relates to the state of TV (especially cable
>>>> and streaming) documentaries. After the shit show that was ‘Allen v
>>>> Farrow’, I did some reading and found that there is a general sense that
>>>> the skyrocketing popularity of documentaries on places like Netflix and HBO
>>>> has been accompanied by a plummet in credibility and journalistic
>>>> integrity. That helped me place the Allen project in a better context: more
>>>> infotainment than actual news documentary.
>>>>
>>>> It does seem that someone, perhaps news divisions at the TV networks,
>>>> or outside sources like Columbia School or Journalism, needs to define a
>>>> sub genre of news documentary, and establish criteria and best practice
>>>> guidelines. Then we could have like entertainment documentaries, that would
>>>> perhaps contain a disclaimer of something like “inspired by real events”,
>>>> and news documentaries, that would indicate it was produced based on
>>>> accepted journalistic standards.
>>>>
>>>> I’m only halfway through “This is a Robbery”, and so far think it is
>>>> not as entertaining as a Ian Pears novel, and about as credible as a
>>>> documentary on the History channel.
>>>>
>>>> On Mon, 12 Apr 2021 at 7:16 AM Mark Jeffries <[email protected]>
>>>> wrote:
>>>>
>>>> For the Sunday after Easter: (Snip)
>>>>>
>>>>> 2.  THIS IS A ROBBERY:  THE WORLD'S BIGGEST ART HEIST--The Netflix
>>>>> original true crime docu-mini about the 1990 theft from the Gardner Museum
>>>>> in Boston of $500M of art works dropped Apr. 7 and has an 88% RT
>>>>>
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