The opening was dynamic. I loved the music. The change of location was
great. But I missed the funny opening. The Oscars, for me, are escapism.
Humor is a grat escapism.
So cut the walk in half and add humor.
I wonder how many tuned out after the tone of the opening.


On Mon, Apr 26, 2021, 3:50 AM 'Dave Sikula' via TVorNotTV <
[email protected]> wrote:

> In an opinion that I'm sure will shock no one, I thought it was one of the
> most inept and pointless spectacles I've ever witnessed, and will,
> hopefully, kill the Oscarcast for the future.
>
> There was almost nothing to recommend it. The format was dull, the
> speeches too long, and -- even moreso than usual -- had no reason to exist.
> While I certainly don't want the return of the Billy Crystal years, with
> lousy renditions of mediocre songs, forced banter, and skits, I also don't
> want a spectacle that has all the panache and verve of a presidential
> funeral.
>
> Probably the most baffling part of the whole farrago was the music quiz,
> which would have been bad enough in any telecast, but really entered sore
> thumb territory because of its timing (2:40 into an interminable
> broadcast), and the decision to suddenly decide to do written material (And
> then it was -that-?).
>
> Obviously, fate -- and the voters -- didn't play along with the intended
> finale, but there should have been a contingency plan. If Hopkins's
> presence was verboten because -- like any sensible octogenarian, he didn't
> want to sit in a London theatre in the middle of the night on the off
> chance he might win -- then there should have been a Plan B that went
> beyond Phoenix's more-baffled-by-life-than-usual signoff. (One of the many,
> many things that prove the ineptitude of the Oscars -- other than, yet
> again, choosing a mediocre-at-best film as the "best" -- is that Phoenix
> has one.)
>
> While I did like the set design and attempt to keep things intimate, the
> processed video (described by Harry Shearer as looking like VHS) was
> pointless and ruined most of the effects.
>
> I'm trying to somehow end this on a positive note, but I'll be damned if I
> can think of anything in the whole twelve hours of the telecast that worked.
>
> --Dave Sikula
>
> On Sunday, April 25, 2021 at 9:10:30 PM UTC-7 PGage wrote:
>
>> I thought they did a great job on this show. Union Station is a great
>> space (nice to have Harrison Ford reference Blade Runner there), and would
>> be great to retain some sense of the grouped tables even when they return
>> to the big auditorium, which is a call back to the Oscar origins.
>>
>> Mostly though, I loved that they did not place such a hard limit on the
>> speeches. They saved time with shorter walk ups to the podiums, and moving
>> the songs to the pre-show, and not having any opening monologue or
>> production number (besides that long walking shot), bit still went over
>> about 17 min, but for me very worth it. A number of the speeches were
>> heartfelt and interesting, and the very first one would have no doubt been
>> interrupted by playoff music just as the guy started talking about his dead
>> daughter.
>>
>> Even the cheesy “game show” had a pretty good pay off with Glen Close (I
>> saw on the after show that they did set that up with her in advance, but
>> did not expect her to actually do the dance).
>>
>> Nice to see our friend Jon Batiste get his Oscar moment, and he briefly
>> shared the stage with QuestLove.
>>
>> I saw on Twitter a lot of complaining about a seemingly rushed In
>> Memoriam, and especially the decision to move Best Picture ahead of Best
>> Actress and Actor. It did kind of seem like they were anticipating closing
>> on an emotional note of Chadwick Bozeman winning posthumously, instead
>> ending with a bit of an anticlimax.
>>
>> Still, overall I thought it was a good show, with mostly great nominated
>> films and performances, even if it will inevitably be the lowest rated
>> Oscars in history.
>> --
>> Sent from Gmail Mobile
>>
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