On Howie Mandel’s most recent episode of his podcast, Howie pointed out to
Sarah Silverman that the actress she chose to portray her mother in an
upcoming off-Broadway musical about her childhood isn’t Jewish. Silverman’s
response was that it was ok because her mom “isn’t very Jewy.”

I… I had to… I had to switch off the podcast after that.

On Wed, Nov 17, 2021 at 7:28 PM PGage <[email protected]> wrote:

> Thanks for the correction on EGR, I was less than 100% on the exact role
> he played but too tired to look it up at the time.  Only watched that film
> once, in a re-release at a drive-in with my grandparents. Also, completely
> agree with your point about Silverman.
>
> There may be no way to prove the non existence of a historical Moses, but
> the burden of proof is on the claim that there was one, and that is a
> burden that can only be met through the eyes of faith. In any case, I don’t
> think think the absence of a modern Jewish actor playing Moses is in the
> top 100 most persuasive examples of the problematic aspects of Jewish
> appropriation in the movies, so it is odd that’s the one NPR decided to go
> with.
>
> On Wed, 17 Nov 2021 at 10:25 AM <[email protected]> wrote:
>
>> The difference between Silverman’s take and the others is that hers took
>> the form of a grievance and the others are more of an observation. In the
>> NPR article she’s now walking back that grievance. It’s one thing to note
>> that the roles of Jewish women are being played by non-Jewish actresses and
>> another to claim it’s a failure of representation.
>>
>> There will never be a way to prove or disprove the existence of a
>> historical Moses. There are so few contemporary texts or archeological
>> evidence available to provide anything meaningful. The Egyptian historical
>> record doesn’t match the biblical account and that’s meaningful. But there
>> could have been a tribal chieftain named Moses who led a Hebrew speaking
>> people from Egypt to Canaan without the plagues and miracles.
>>
>> Yup Brynner played pharaoh in The Ten Commandments. Edward G Robinson
>> played Dothan who was comedy relief and a foil for Moses. I remember
>> speculation that Robinson really wanted to be in the movie and the studio
>> wanted to punish him for his left leaning views during the McCarthy era and
>> that was the only role they would give him.
>>
>> On Nov 17, 2021, at 8:55 AM, PGage <[email protected]> wrote:
>>
>> 
>>
>> Bial’s take is thoughtful and nuanced (which I guess just means I agree
>> with him). I’m not so sure about the author of the article, who cites as
>> one of the more problematic appropriations Charlton Heston playing Moses,
>> who A) may have been Hebrew, but was not Jewish in any recognizably modern
>> or technical sense (that term would not have applied at the time) and B)
>> with all due respect, probably has to be regarded as a fictional character.
>>
>> More striking from that film is the casting of Edward G Robinson as
>> Pharaoh, not so much for cultural appropriation, but hilarious miscasting.
>>
>> On Wed, 17 Nov 2021 at 3:09 AM Steve Timko <[email protected]> wrote:
>>
>>> NPR weighs in.
>>>
>>>
>>> https://www.npr.org/2021/11/16/1053632682/jewish-roles-movies-tv-sarah-silverman
>>>
>>>
>>>
>>> On Thu, Oct 7, 2021, 10:22 AM Tom Wolper <[email protected]> wrote:
>>>
>>>> On Thu, Oct 7, 2021 at 11:06 AM PGage <[email protected]> wrote:
>>>>
>>>>> I think Tom makes the main point that there is a relevant discussion
>>>>> to be had here, but it easily regresses into progressive caricature when 
>>>>> it
>>>>> abandons nuance and flexibility.
>>>>>
>>>>> I think the most problematic part of Silverman’s argument is the use
>>>>> of the term “Jewface” (not sure if that was part of the original Time
>>>>> article Tom refers to). The problem with Blackface is not primarily that
>>>>> famous white actors got roles denied Black actors. Blackface was 
>>>>> explicitly
>>>>> part of a larger social process of stigmatizing, de-legitimizing and
>>>>> rationalizing a pervasive, violent antiBlack regime. The analogy is not to
>>>>> Rachel Brosnahan playing an attractive, intelligent and very likable Mrs
>>>>> Maisel, but maybe to something that could have existed in 1930s Germany
>>>>> with Aryans wearing stereotypical noses and clothing and enacting
>>>>> characters that would justify the attitudes and assumptions that led to 
>>>>> the
>>>>> Holocaust.
>>>>>
>>>>> I don’t necessarily blame Silverman for this, the whole modern
>>>>> critique of blackface has tended to turn it into the “representation” 
>>>>> issue
>>>>> that Silverman is writing about, which tends to minimize and trivialize
>>>>> what the problem with blackface was.
>>>>>
>>>>
>>>> Jewface wasn't in the Time article. That article was about being
>>>> sensitive to having Jewish women being excluded from stories about Jewish
>>>> women. I have a CD called Jewface, which is a collection of recordings of
>>>> songs made during the first decades of the previous century. The songs are
>>>> from vaudeville and are ethnic caricatures of Jewish characters. The songs
>>>> are written and performed by Jewish men. It's very far from minstrelsy and
>>>> the degradation of blackface.
>>>>
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-- 
Kevin M. (RPCV)

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