She is still talking about it

https://www.instagram.com/tv/CW7Q48FlKgE/


On Wed, Dec 1, 2021, 7:27 AM Kevin M. <[email protected]> wrote:

> On Howie Mandel’s most recent episode of his podcast, Howie pointed out to
> Sarah Silverman that the actress she chose to portray her mother in an
> upcoming off-Broadway musical about her childhood isn’t Jewish. Silverman’s
> response was that it was ok because her mom “isn’t very Jewy.”
>
> I… I had to… I had to switch off the podcast after that.
>
> On Wed, Nov 17, 2021 at 7:28 PM PGage <[email protected]> wrote:
>
>> Thanks for the correction on EGR, I was less than 100% on the exact role
>> he played but too tired to look it up at the time.  Only watched that film
>> once, in a re-release at a drive-in with my grandparents. Also, completely
>> agree with your point about Silverman.
>>
>> There may be no way to prove the non existence of a historical Moses, but
>> the burden of proof is on the claim that there was one, and that is a
>> burden that can only be met through the eyes of faith. In any case, I don’t
>> think think the absence of a modern Jewish actor playing Moses is in the
>> top 100 most persuasive examples of the problematic aspects of Jewish
>> appropriation in the movies, so it is odd that’s the one NPR decided to go
>> with.
>>
>> On Wed, 17 Nov 2021 at 10:25 AM <[email protected]> wrote:
>>
>>> The difference between Silverman’s take and the others is that hers took
>>> the form of a grievance and the others are more of an observation. In the
>>> NPR article she’s now walking back that grievance. It’s one thing to note
>>> that the roles of Jewish women are being played by non-Jewish actresses and
>>> another to claim it’s a failure of representation.
>>>
>>> There will never be a way to prove or disprove the existence of a
>>> historical Moses. There are so few contemporary texts or archeological
>>> evidence available to provide anything meaningful. The Egyptian historical
>>> record doesn’t match the biblical account and that’s meaningful. But there
>>> could have been a tribal chieftain named Moses who led a Hebrew speaking
>>> people from Egypt to Canaan without the plagues and miracles.
>>>
>>> Yup Brynner played pharaoh in The Ten Commandments. Edward G Robinson
>>> played Dothan who was comedy relief and a foil for Moses. I remember
>>> speculation that Robinson really wanted to be in the movie and the studio
>>> wanted to punish him for his left leaning views during the McCarthy era and
>>> that was the only role they would give him.
>>>
>>> On Nov 17, 2021, at 8:55 AM, PGage <[email protected]> wrote:
>>>
>>> 
>>>
>>> Bial’s take is thoughtful and nuanced (which I guess just means I agree
>>> with him). I’m not so sure about the author of the article, who cites as
>>> one of the more problematic appropriations Charlton Heston playing Moses,
>>> who A) may have been Hebrew, but was not Jewish in any recognizably modern
>>> or technical sense (that term would not have applied at the time) and B)
>>> with all due respect, probably has to be regarded as a fictional character.
>>>
>>> More striking from that film is the casting of Edward G Robinson as
>>> Pharaoh, not so much for cultural appropriation, but hilarious miscasting.
>>>
>>> On Wed, 17 Nov 2021 at 3:09 AM Steve Timko <[email protected]> wrote:
>>>
>>>> NPR weighs in.
>>>>
>>>>
>>>> https://www.npr.org/2021/11/16/1053632682/jewish-roles-movies-tv-sarah-silverman
>>>>
>>>>
>>>>
>>>> On Thu, Oct 7, 2021, 10:22 AM Tom Wolper <[email protected]> wrote:
>>>>
>>>>> On Thu, Oct 7, 2021 at 11:06 AM PGage <[email protected]> wrote:
>>>>>
>>>>>> I think Tom makes the main point that there is a relevant discussion
>>>>>> to be had here, but it easily regresses into progressive caricature when 
>>>>>> it
>>>>>> abandons nuance and flexibility.
>>>>>>
>>>>>> I think the most problematic part of Silverman’s argument is the use
>>>>>> of the term “Jewface” (not sure if that was part of the original Time
>>>>>> article Tom refers to). The problem with Blackface is not primarily that
>>>>>> famous white actors got roles denied Black actors. Blackface was 
>>>>>> explicitly
>>>>>> part of a larger social process of stigmatizing, de-legitimizing and
>>>>>> rationalizing a pervasive, violent antiBlack regime. The analogy is not 
>>>>>> to
>>>>>> Rachel Brosnahan playing an attractive, intelligent and very likable Mrs
>>>>>> Maisel, but maybe to something that could have existed in 1930s Germany
>>>>>> with Aryans wearing stereotypical noses and clothing and enacting
>>>>>> characters that would justify the attitudes and assumptions that led to 
>>>>>> the
>>>>>> Holocaust.
>>>>>>
>>>>>> I don’t necessarily blame Silverman for this, the whole modern
>>>>>> critique of blackface has tended to turn it into the “representation” 
>>>>>> issue
>>>>>> that Silverman is writing about, which tends to minimize and trivialize
>>>>>> what the problem with blackface was.
>>>>>>
>>>>>
>>>>> Jewface wasn't in the Time article. That article was about being
>>>>> sensitive to having Jewish women being excluded from stories about Jewish
>>>>> women. I have a CD called Jewface, which is a collection of recordings of
>>>>> songs made during the first decades of the previous century. The songs are
>>>>> from vaudeville and are ethnic caricatures of Jewish characters. The songs
>>>>> are written and performed by Jewish men. It's very far from minstrelsy and
>>>>> the degradation of blackface.
>>>>>
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> Kevin M. (RPCV)
>
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