Okay, I'll begin:)

It is in chapter five that I run into the words" the debilitating influence of 
judgment" and later the words (paraphrased): the power of discovering the 
capacity of their own minds...

Three big connections I make to these ideas are the teaching of drawing, the 
book called "Flow" written by researcher Csikszentmihalyi, and the use of art 
to teach thinking.

I took art all my life and as an adult I began to teach drawing to other adults 
through a local college extension program.  It was such a joy teaching people 
who wanted to come in and discover that side of themselves.  One book I used to 
help me train others how to draw was Drawing on the Right Side of the Brain.  
Drawing on the Right Side of the Brain has these activities that you do as warm 
up--things like drawing with the wrong hand, drawing without looking at the 
paper, and drawing something upside down.  These warmups are NOT usually the 
most attractive artworks, but they accomplish an important thing. The writer of 
the book says they chase out the "left" or judgment side of the brain because 
the left side simply cannot do these kinds of activities.  Once the judgment 
side is quiet, the rest of the brain is free to really "see" and to draw well.  
Now, I realize this may sound like a bunch of nonsense, but I have seen it work 
again and again and I believe it to be true, even though I know we are truly 
"whole" brain all the time.  

The judgment part of our wiring is important, but it also is the part with a 
big ego.  It really believes it is good at everything, when, in fact, it exists 
for specific purposes not always conducive to creative and original thought. I 
would love to develop some writing and reading activities (equivalent to the 
drawing activities) that help students see the truth of this.  The only one I 
know of that has some similarity is the fast write, and only if the students 
really allow themselves to let go of judgment, difficult to really do. but so 
essential to developing joy and capacity. Judgment IS debilitating when we are 
learning.  It stands in the way. It makes me think of so many things we need to 
change to make classrooms conducive to the best learning. For one, back to a 
big BLAH on grading elementary children...

My second connection, Flow, is a book that tells about Csikszentmihalyi's 
research on happiness.  He discovered, by setting up people around the world 
with pagers and asking them to record their thoughts, activities. and feelings 
each time they were paged, that people are happiest under a number of 
conditions, one of which is the condition of Flow.  Flow means working at 
something that you like to do that keeps you challenged and interested.  
(Anyone thinking Zone of Proximal Development here?) I think what Ellin is 
saying is all about flow.  I believe I am pretty good at getting into flow 
(maybe a little too good-my family would tell you).  I love to get lost in 
work.  I ENJOY it.  I do not think of teaching work, or learning work, or art 
work as drudgery (albeit housework is....). 

Anyway, I believe Ellin is looking to help us find a way to help children to 
understand flow and yes, flow is better than any external rewards we may entice 
them with (but not until they experience it). It does require the suspension of 
judgment AND it requires allowing a struggle to occur.  Kids will struggle 
through video games over and over, what makes us think they are incapable of 
struggle on school stuff when the rewards are greater? Unfortunately, since we 
tend to train children that we will show them how to do everything, they are 
quick to wait for instructions and less willing to persist through trying out 
things, learning , trying again...

I see this most pronounced in math--students wait for the step-by-step.  You 
give them problem and persistence is not there--only a few are willing to step 
in and try something.  I feel like I work all year to fight that lethargy and 
then it comes to me again the next year (hence my dislike for textbooks).  In 
reading I see this sometimes in decoding, they just stick in a word whether it 
will fit or not and go on...or they wait for someone to jump in and give them 
the word.  Lack of persistence in understanding is more deeply disguised, but 
it is there.  I think of the resistance to rereading, or stopping to think. 
Students who say, "Just tell us," and expect answers to all their questions.  
If we, as teachers, do not allow the struggle, relish the struggle, we will 
take away the gift that understanding provides. That gift is not nearly so 
special if you do not unwrap it yourself.

Finally, (hey-blame Jennifer-she said I could go on over one item per chapter), 
I am thinking about the use of art to teach thinking.  I love that Ellin uses 
art in this book to show how the strategies help us to make sense of art.  I 
have this book (and highly recommend it) called Smart Art.  In it, the authors 
teach children how to suspend judgment when they first approach a work of art.  
Then it teaches children to think about three possible purposes: formal (line, 
shape, color, design); emotional (meant to evoke a response); and imitational 
(trying to copy from nature).  By suspending judgement and considering elements 
and characteristics, students learn to first think, then use strategies to 
understand, and in the end to interpret and make personal opinions.  I love the 
process and I teach it to my students every year.  I plan next year to deepen 
the use of this process and bring more art into my reading instruction as a 
result of seeing how art can translate into what we are trying to do with 
reading. (And interestingly, I find children feel like they are automatically 
experts in art--allowed to have opinion--allowed to feel the way they feel).

Enough from me.
Everyone else?

:)Bonita




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