You can dig out some old treads about this too . But here it goes...

Back when I thought this was very important I’ve used some test to
indirectly verify that the transfer really was bitperfect .

There are signals that’s usually are packed/disguised in regular pcm
namely hdcd & DTS or ac3 ( Dolby digital ) that’s how for example a DVD
player sends ac3 over spdiff or toslink to a ht-reciver .
The thing is this must be bitperfect or the encoding gets lost and you
get gibberish.

So a great test is to get some ac3 encoded wav file’s, dial in stuff to
what you think are zero gain, 100% bitperfect and then conect the
digital out to a home theatre processor or reciever and listen you get
5.1 sound or noise .

On one of the side topics here , i’m More or less convinced that a good
well dithered digital volume control is actually performs better than
any analog implementation  a good digital systems noise if of the same
character as good old analog noise , s/n ratio is the same if achieved
by analog or digital means ( forget al those staircase graphs in
sterephile that’s not it’s actually working ). It’s also an issue of
implementation of the rest of the system .
The whole gain structure must be reasonable so that full scale signal is
just as loud as you ever want to listen . Then quieter volume are well
quieter :) the volume is so low that any possible degradation is
inaudible anyway .

And then you have your 24 bit dithered digila system with an s/n ratio
of say 144dB and then you play some old 70’s rock album 70dB s/n ratio
that’s less than 13 bits .... there are ofcourse better records , but
what I mean that in practice the system noise produced by a digital
volume adjustment is far below the noise in your actual recordings you
listen to , even if you bougth 24 bit or DSD album , what most of the
data actually is are random noise from the recording .



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