Hi Curtis,

First, welcome to the crazy world of video librarians.

Second, I think it's safe to say that most of us who find ourselves 
working in media libraries are quite passionate about film and, in an 
ideal world, would love to spend our money with independent filmmakers. 
Unfortunately, we all have limited budgets to work within and these days 
many of our budgets are shrinking at an alarming rate. And in many 
libraries, the media collection does not get the type of budget and 
attention it deserves to begin with. What that means is that we have 
difficult decisions to make. 

Without the option of buying the home version, my decision goes from 
buying the institutional version or the home version to buying the 
institutional version or not buying it at all. And with my budget as it 
is, I'm doing a lot of not buying of things I would love to have in my 
collection. There are sellers on this list who can attest to the fact that 
2 years ago, I bought many many films from them and now I'm buying a 
handful of titles at best. I don't like it because their content is still 
as great as ever, but I just don't have the money and our collection 
suffers because of it. Difficult decisions indeed.

This is a topic that comes up on this list, so no worries about alienating 
anyone. I think we're all sensitive to the issue and would love to be in a 
position to be more financially supportive. MY moral objective is to 
provide the best media collection for our patrons given the limitations of 
my budget. If that means I have to sacrifice one good $250 documentary to 
purchase ten good $25 documentaries that will support more students, then 
I have to go with the later.

Tom

_____________________________
Tom Ipri, MS
Head, Media and Computer Services
Lied Library
University of Nevada, Las Vegas
4505 S. Maryland Pkwy 
Box 457035
Las Vegas, NV 89154-7035
702-895-2183
[email protected]



From:
Curtis Chin <[email protected]>
To:
[email protected]
Date:
05/13/2010 09:51 AM
Subject:
[Videolib] Filmmakers are not your enemies
Sent by:
[email protected]



I know I am a newbie here and at the risk of alienating folks, I need to 
speak up for the filmmakers perspective.

Trust me when I say, we filmmakers are not trying to get rich off our 
projects. We just want to make a living and to be fairly compensated for 
our work. Often times, we embark on our films because they are subjects 
that personally matter to us, in my case, it was a family friend who had 
been murdered, and we devote years to it without getting any monetary 
compensation. We are just trying to recoup our costs.

Now, why the price difference? It's because you will be showing these 
films as often as you like (for years) and you will be making money off 
our work through tuition and other fees. If you amortize it, it's still a 
pretty good deal for your institutions. Would you prefer if we didn't 
offer the home version and just had the one institutional price?

And to show a "home" version when it is specifically stated that is not 
the intended purpose, I think is morally wrong, just like downloading 
copyrighted video or music off the internet. But then, again, some people 
have no problem doing that either. So I suspect that I lot of people will 
be doing that. The loser in that is the artist. Sigh.

In the end, we are all trying to help educate the population. We share a 
common goal and it's wrong to think we are your adversaries.

On Thu, May 13, 2010 at 8:47 AM, <[email protected]> 
wrote:
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When replying, please edit your Subject line so it is more specific
than "Re: Contents of videolib digest..."


Today's Topics:

  1. When the Levees Broke: PPR (Blaine Waterman)
  2. Re: Old topic, new rant... (CROWLEY, CHRISTINE)
  3. ALA vs  SilverDocs in DC (Carleton Jackson)
  4. FW: video dominoes (Hutchison, Jane)


----------------------------------------------------------------------

Message: 1
Date: Wed, 12 May 2010 17:04:19 -0700
From: Blaine Waterman <[email protected]>
Subject: [Videolib] When the Levees Broke: PPR
To: "[email protected]" <[email protected]>
Message-ID:
       <
79b252d4661f4642b4be6d6eef6eddd8cd21760...@exchangembx.sf-library.org>

Content-Type: text/plain; charset="us-ascii"

Has anyone on the list screened Spike Lee's Katrina documentary?
If so, how/who/how much?? :)

TIA,

Blaine Waterman
Film and Television Specialist
San Francisco Public Library
415.557.4461
[email protected]



Official SFPL use only

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Message: 2
Date: Wed, 12 May 2010 19:54:26 -0500
From: "CROWLEY, CHRISTINE" <[email protected]>
Subject: Re: [Videolib] Old topic, new rant...
To: <[email protected]>
Message-ID:
       <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"

I see no reason that the home video cannot be purchased for that use, 
unless for reason the "seminar" is outside the realm of a classroom 
situation....and the university is clearly not a for-profit institution.

Christine Crowley
Dean of Learning Resources
Northwest Vista College
3535 N. Ellison Dr.
San Antonio, TX 78251
210.486.4572 office
210.486.4504 fax
[email protected]
Northwest Vista College is one of the Alamo Colleges
www.alamo.edu/nvc/lrc


________________________________

From: [email protected] on behalf of John Potter-Smith
Sent: Wed 5/12/2010 5:30 PM
To: [email protected]
Subject: Re: [Videolib] Old topic, new rant...



Welcome to Canada !!



This is what we face every day, we have no choice of not purchasing 
University copies with PPR (Public Performance Rights) like you lucky 
folks do in the US.



John Potter-Smith

Library - Audiovisual Technician

Kwantlen Polytechnic University

Coast Capital Savings Library

Phone:  604-599-2405

Fax:  604-599-2106



 ED00172_<
https://mail.alamo.edu/exchange/ccrowley5/Drafts/RE:%20[Videolib]%20Old%20topic,%20new%20rant....EML/1_multipart/image001.png
> The Library ... Your Information Destination



From: [email protected] [mailto:
[email protected]] On Behalf Of Merle J. Slyhoff
Sent: Wednesday, May 12, 2010 2:31 PM
To: [email protected]
Subject: [Videolib] Old topic, new rant...



$300.00 for a video for universities and colleges vs $25.00 for a video 
for home use and one faculty member wants to view it to maybe show to a 
seminar of 15 students... and I have to say no because I can't fit it into 
the budget at $300.00.  No one will ever convince me that this cost 
differential is justifiable when it's being used in the classroom for 15 
students.



OK, said it, no need to reply because I know what you'll all say.  J



Merle

*******************************************************************

Merle J. Slyhoff                                     V: 215-898-9013

Collection Development &                      F: 215-898-6619

Resource Sharing  Librarian                    E: [email protected]

Biddle Law Library

University of Pennsylvania

3460 Chestnut Street

Philadelphia, PA 19104-3406



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Message: 3
Date: Thu, 13 May 2010 08:55:12 -0400
From: Carleton Jackson <[email protected]>
Subject: [Videolib] ALA vs  SilverDocs in DC
To: "[email protected]" <[email protected]>, <[email protected]>
Message-ID: <[email protected]>
Content-Type: text/plain; charset="ISO-8859-1"; format=flowed


Greetings VRT-ers:

Well, not really a "VS" but a concurrence.

Just wanted to let you folks know who are trying to do both at DC that
the SilverDocs schedule is slowly being revealed. Each year there is a
theme that precedes and follows the Guggenheim honoree. We can finally
tell you that this years honoree is Frederick Wiseman. He and his films
will be present at both the Festival and Conference. Those of you who
are trying out the educator pass for Friday or are around Saturday night
may have access to an event or two with him. I'm trying to see if one or
a combination of vouchers can get you into the big Guggenheim event too.
Stay tuned...

http://silverdocs.com/news-links/2010/05/06/frederick-wiseman-named-guggenheim-honoree/


Also: if some of you were thinking of the educator pass, but couldn't
decide or were sold out, there are a few back, however at $150 price
now. Still, if you missed out on an ALA preconference but still have at
least Friday free, its well worth it, and cheaper then most 
preconferences.

https://secure2.convio.net/afi/site/Ecommerce/1989794434?VIEW_PRODUCT=true&product_id=1481&store_id=1301


As usual, any questions feel free to contact me directly. And it is
possible to be two places at the same time.

Carleton


--
Carleton L. Jackson
Librarian, Nonprint Media Services Library
University of Maryland Libraries
0300 R. Lee Hornbake Library
College Park, Maryland 20742-7011
301-405-9226 voice / 301-314-9419 fax
[email protected]







------------------------------

Message: 4
Date: Thu, 13 May 2010 11:43:35 -0400
From: "Hutchison, Jane" <[email protected]>
Subject: [Videolib] FW: video dominoes
To: <[email protected]>
Message-ID:
       <
4d509e6f1d635043bc720a5b2a4eae6507dd5...@callisto.unv.campus.wpunj.edu>

Content-Type: text/plain; charset="us-ascii"

Many of you have brought up the fact that your video collections were
going.



I thought you'd get a kick out of this.



http://www.youtube.com/watch?v=p2Qup0kA6kw







Jane B. Hutchison

Associate Director
President

Instruction & Research Technology                          CCUMC:
Leadership in Media & Academic Technology

William Paterson University
http://www.ccumc.org

Wayne, NJ 07470

973-720-2980 (work)

973-418-7727 (cell)

973-720-2585 (facs)

[email protected]

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End of videolib Digest, Vol 30, Issue 23
****************************************
VIDEOLIB is intended to encourage the broad and lively discussion of 
issues relating to the selection, evaluation, acquisition,bibliographic 
control, preservation, and use of current and evolving video formats in 
libraries and related institutions. It is hoped that the list will serve 
as an effective working tool for video librarians, as well as a channel of 
communication between libraries,educational institutions, and video 
producers and distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Reply via email to