For commercial DVDs, you should definitely list UPC codes rather than ISBN if 
you can only list one. Most of the vendors I've worked with use the UPC as the 
stock ID number in their database and/or for ordering purposes.

Also, major studios may issue more than one version of the same title (i.e., 
pan & scan versus widescreen, theatrical vs. unrated) and the UPC numbers 
change accordingly. They can also change with new pressings, cheaper editions, 
etc. When ordering videos I always do some research to find the correct UPC 
number, and it has drastically reduced our order cancellations and wrong items 
shipped. (Getting a better primary vendor also helped!)

Variation in UPC numbers is less of an issue for indie distributors, obviously.

--James


----------------------------------------------------------------------

Message: 1
Date: Wed, 15 Sep 2010 18:57:49 -0400
From: Dennis Doros <[email protected]>
Subject: Re: [Videolib] Are UPC codes important to video selectors?
To: [email protected]
Message-ID:
        <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"

Randy,

You'll have to check the DVD releases of the smaller distributors. I suspect
for companies that distribute educational titles, ISBN is very prevalent.
For indie distributors such as New Yorker and Zeitgeist and Oscilloscope,
I'm not sure they do. I started adding the "optional" ISBN numbers along
with the "absolutely necessary" UPC code for my titles since we started
doing the Milestone Cinematheque boxes ourselves. The quotes are my own
opinion.

Also, it's a pain-in-the-butt to fill in the ISBN form at Bowker (EXTREMELY
out of date in their data requests and totally oriented towards books still)
so I wouldn't promise that they are totally accurate. The REAL problem, I
would guess, is all the multiple versions of each title and knowing which is
best by the UPC or ISBN number.

Best,
Dennis

On Wed, Sep 15, 2010 at 6:23 PM, Randy Pitman <[email protected]>wrote:

> Hello Wise People,
>
> A subscriber emailed me today to ask if Video Librarian could start
> including UPC codes in the header information of reviews. It's been over 20
> years since I was working in the library, so I might be a little out of
> touch on ye olde day-to-day. Two decades ago, ISBN was king (and we still
> include those) and no one gave a rat's patootie about UPC codes. Has there
> been a tectonic plate shift that I missed? In short, are UPC codes now
> important bits of information?
>
> Best,
>
> Randy
>
> Randy Pitman
> Publisher/Editor
> Video Librarian
> 8705 Honeycomb Ct. NW
> Seabeck, WA 98380
> Tel: (800) 692-2270; Fax: (360) 830-9346
> Email: [email protected]
> Web: www.videolibrarian.com
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues
> relating to the selection, evaluation, acquisition,bibliographic control,
> preservation, and use of current and evolving video formats in libraries and
> related institutions. It is hoped that the list will serve as an effective
> working tool for video librarians, as well as a channel of communication
> between libraries,educational institutions, and video producers and
> distributors.
>



--
Best,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: [email protected]
www.milestonefilms.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
AMIA Philadelphia 2010: www.amianet.org
Join "Milestone Film" on Facebook!
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Message: 3
Date: Thu, 16 Sep 2010 10:27:34 -0400
From: "Nellhaus, Tobin" <[email protected]>
Subject: Re: [Videolib] videolib Digest, Vol 34, Issue 66
To: "[email protected]" <[email protected]>
Message-ID:
        <93202df986699c4db1c61a93bdbd688666ba992...@xvs3-cluster.yu.yale.edu>
Content-Type: text/plain; charset="us-ascii"

> Message: 6
> Date: Wed, 15 Sep 2010 12:31:16 -0500
> From: Rudy Leon <[email protected]>
> Subject: [Videolib] basics of PPR?
> To: videolib <[email protected]>
> Message-ID:
>       <AANLkTinMmoQNNqPY0kvfAeXiXG2pB94e3yC-
> [email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hi all,
> I was just asked if I could write up an easy primer about when a film
> showing does and does not require PPR. Do any of you have such a thing
> already written, that you would be willing to share?
>
> Thanks!
>
> --
> Rudy Leon
> Learning Commons Librarian
> Undergraduate Library
> University of Illinois Urbana-Champaign
> (217) 333-3503
> http://www.deepening.wordpress.com
> AIM: rudibrarian

Hi Rudy,

You might also want to look at a page I created, which contains some additional 
info (and a couple links just added from other people's suggestions):

http://guides.library.yale.edu/content.php?pid=9130&sid=63838

Cheers,

Tobin Nellhaus
Librarian for Performing Arts, Media and Philosophy
Coordinator for Humanities Collection Development
226 Sterling Memorial Library, Yale University
130 Wall Street, P.O. Box 208240
New Haven, CT  06520-8240
Tel: 203/432-8212   Fax: 203/432-8527
[email protected]






------------------------------

Message: 4
Date: Thu, 16 Sep 2010 11:29:21 -0400
From: Marilyn Huntley <[email protected]>
Subject: [Videolib] U.S. public performance licensing? (4
        Mexican/Spanish movies)
To: Videolib <[email protected]>
Message-ID: <[email protected]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

The student Spanish Club is pestering me relentlessly, asking for prices
to license a long list of movies. I'm not having much luck finding U.S.
distributors. Does anyone know who can license these four titles?

A Day Without a Mexican - Sergio Arau, 2004
Al Otro Lado (To the Other Side) - Gustavo Loza, 2005
Hable con ella (Talk to Her) - Pedro Almodovar, 2002
Y to Mama tambien (And Your Mother Too) - Alfonso Cuaron, 2001

Thanks in advance for any info you can send me.
Marilyn Huntley

--
Marilyn B. Huntley
A-V Services, Hamilton College
198 College Hill Rd., Clinton, NY 13323
Phone 315-859-4120; Fax 315-859-4185



------------------------------

Message: 5
Date: Thu, 16 Sep 2010 11:34:23 -0400
From: Jessica Rosner <[email protected]>
Subject: Re: [Videolib] PPR for Ils
To: [email protected]
Message-ID:
        <[email protected]>
Content-Type: text/plain; charset="iso-8859-1"

Never heard of an independent media purchasing consultant, but sounds like a
way to turn one's "hobby" into a real job. Actually I do independent
media marketing, booking and sales (for a shameless plug I am currently
working on My Neighbor My Killer, Henri-Georges Clouzot's Inferno, Eyes Wide
Open, A Small Act and some others). As a practical matter I am not sure how
one would charge for tracking down the rights/ copies of films.
I did have one really fun small job in the spring where I did get paid for
tracking down the rights and prints for rare classic films for a film
festival.

For the moment you can keep taking advantage of my generosity and knowledge,
but if I figure out a way to make you guys pay for it, I will.



On Wed, Sep 15, 2010 at 5:13 PM, Brigid Duffy <[email protected]> wrote:

> Why should you be kidding?
>
> You need a PayPal merchant account and we need to stop taking advantage of
> your generosity and great knowledge.
>
> Become an independent media purchasing consultant.
>
> Brigid Duffy
> Media Acquisitions
>  Academic Technology
> San Francisco State University
> San Francisco, CA  94132-4200
> E-mail: [email protected]
>
>
> On Sep 15, 2010, at 1:56 PM, Jessica Rosner wrote:
>
> OK I did a little googling and it is released on DVD by Dark Sky Films
> which is a division of MPI. There is some chance MPI owns the rights as
> unlike a lot of home video companies they do some theatrical. However even
> if they do not , the would have the information in their records to tell you
> who did provided you can convince someone to look it up.
>
> Here is the link to their contact page
>
> http://www.mpimedia.com/Contact/
>
>
> PS I am going to start charging for this stuff soon ( just kidding).
>
> On Wed, Sep 15, 2010 at 4:36 PM, Pat Mcgee <[email protected]> wrote:
>
>>  Does anyone know the source for the 2006 productions Ils [Them], the
>> Romanian film?
>>
>> Many thanks.
>>
>> Pat McGee
>>
>>
>> Coordinator of Media Services
>>
>> Volpe Library and Media Center
>>
>> Tennessee Technological University
>>
>> Campus Box 5066
>>
>> Cookeville, TN 38505
>>
>> 931-372-3544
>>
>>
>> VIDEOLIB is intended to encourage the broad and lively discussion of
>> issues relating to the selection, evaluation, acquisition,bibliographic
>> control, preservation, and use of current and evolving video formats in
>> libraries and related institutions. It is hoped that the list will serve as
>> an effective working tool for video librarians, as well as a channel of
>> communication between libraries,educational institutions, and video
>> producers and distributors.
>>
>>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues
> relating to the selection, evaluation, acquisition,bibliographic control,
> preservation, and use of current and evolving video formats in libraries and
> related institutions. It is hoped that the list will serve as an effective
> working tool for video librarians, as well as a channel of communication
> between libraries,educational institutions, and video producers and
> distributors.
>
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues
> relating to the selection, evaluation, acquisition,bibliographic control,
> preservation, and use of current and evolving video formats in libraries and
> related institutions. It is hoped that the list will serve as an effective
> working tool for video librarians, as well as a channel of communication
> between libraries,educational institutions, and video producers and
> distributors.
>
>
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End of videolib Digest, Vol 34, Issue 73
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preservation, and use of current and evolving video formats in libraries and 
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