Many academic music courses now use iTunes for their streamed music
course reserve lists - which can be set up by the music faculty or
library. The students at our institution then assume the costs of
downloading the streamed music however I understand that the library
pays for these at some other institutions.
Marilyn
On 2/8/2011 7:48 PM, Bergman, Barbara J wrote:
Are any of you up on best practices for audio reserves?
I received a question about the legalities of doing a coursepack or
e-reserves of music.
I don't have the list of songs/artists yet, but I think it's a history
of pop music class.
What resources should I take a look at for guidance?
TIA,
Barb
Barb Bergman | Media Services & Interlibrary Loan Librarian |
Minnesota State University, Mankato | (507) 389-5945 |
[email protected]
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control,
preservation, and use of current and evolving video formats in libraries and
related institutions. It is hoped that the list will serve as an effective
working tool for video librarians, as well as a channel of communication
between libraries,educational institutions, and video producers and
distributors.
--
Marilyn Nasserden
Head, Visual& Performing Arts
Libraries and Cultural Resources
25 MacKimmie Library Block
University of Calgary
2500 University Drive NW
Calgary, Alberta, CANADA
[email protected]
Phone: (403) 220-3795
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control,
preservation, and use of current and evolving video formats in libraries and
related institutions. It is hoped that the list will serve as an effective
working tool for video librarians, as well as a channel of communication
between libraries,educational institutions, and video producers and
distributors.
