Virtually all PPR licenses forbid charging admission and nearly all would in
fact prevent any off campus showing. It is very unlikely he could use any of
your titles without making a totally separate rental deal with the rights
holder. There would be little point in distributors selling PPR if someone
could just take  the item off campus and show it with or without admission.
On the bright side depending on the titles I suspect most distributors would
be willing to work with the faculty member on a decent deal.

On Thu, Feb 24, 2011 at 2:06 PM, Meghann Matwichuk <[email protected]> wrote:

>  I thought I was pretty well-versed in Public Performance Rights, however I
> just had a question that has me a bit stumped.  We have been indicating in
> our cataloging records when a media item has been purchased with Public
> Performance Rights, and I often show faculty interested in programming film
> series how they can search our catalog for these titles.  These have always
> been for non-paying audiences.  Today I spoke with a faculty member who is
> proposing to rent out a local non-profit theater, and wants to charge
> admission to recoup the rental costs.  It dawned on me that I've never dealt
> with or considered the paid admission / PPR scenario.  So:
>
> There is no one definition of PPR, is there?  Meaning, some distributors
> may say that PPR includes the 'right' to charge admission, while others will
> stipulate that it's only applicable for 'free' admission?
>
> My hunch is that the faculty member will need to contact the distributors
> for clarification.  Your $.02?
>
> Thank you,
>
> *************************
> Meghann Matwichuk, M.S.
> Associate Librarian
> Instructional Media Collection Department
> Morris Library, University of Delaware
> 181 S. College Ave.
> Newark, DE 19717
> (302) 831-1475
> http://www.lib.udel.edu/ud/instructionalmedia/
>
> VIDEOLIB is intended to encourage the broad and lively discussion of issues
> relating to the selection, evaluation, acquisition,bibliographic control,
> preservation, and use of current and evolving video formats in libraries and
> related institutions. It is hoped that the list will serve as an effective
> working tool for video librarians, as well as a channel of communication
> between libraries,educational institutions, and video producers and
> distributors.
>
>


-- 
Jessica Rosner
Media Consultant
224-545-3897 (cell)
212-627-1785 (land line)
[email protected]
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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