Sadly, Sheldon Rochlin of Mystic Fire died many years ago and the company was sold and then disolved shortly thereafter. I think you're better off finding out if the late director Allan Francovich has any descendants. It's a longshot, but Linda Duchin can ask Jose Lopez if he remembers since they had his film ON COMPANY BUSINESS for a long time. (That, I think I still have a 16mm of...)
Best regards, Dennis Doros Milestone Film & Video/Milliarium Zero PO Box 128 Harrington Park, NJ 07640 Phone: 201-767-3117 Fax: 201-767-3035 email: [email protected] www.milestonefilms.com www.comebackafrica.com www.yougottomove.com www.ontheboweryfilm.com www.arayafilm.com www.exilesfilm.com www.wordisoutmovie.com www.killerofsheep.com <http://www.killerofsheep.com/> AMIA Austin 2011: www.amianet.org Join "Milestone Film" on Facebook! Follow Milestone on Twitter! <http://twitter.com/#!/MilestoneFilms> On Mon, Oct 3, 2011 at 4:21 PM, Deborah Benrubi <[email protected]> wrote: > ** > Dear wisdom of the list, > > Does anyone know if Mystic Fire Video or any successor in interest is still > around, and/or how to contact Maxine Harris or anyone else associated with > Mystic Fire/ Hither Hills Productions? I'm trying to find who has the rights > to *The Houses Are Full of Smoke*. > > Thank you! > > Deborah Benrubi > Technical Services Librarian > University of San Francisco > Gleeson Library|Geschke Center > 2130 Fulton St. > San Francisco, CA 94117 > > ph. 415.422.5672 > fax 415.422.2233 > > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > --
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
