Richard, I'll shoot a thought at that invitation. If the independent video authors and agents could get their works listed with jobbers, particularly Baker & Taylor, Blackwell, and others that serve higher ed, then they could lower prices some because they'd have a bigger audience. On the other hand, it would be difficult to do away with tiered pricing altogether since it is a common business practice.
Norm -- Norman Howden Assistant Dean, Educational Resources El Centro College 214-860-2176 [email protected] Please visit our website at: http://www.elcentrocollege.edu/library/ "It may plausibly be urged that the shape of a culture - its mores, evaluations, family organizations, eating habits, living patterns, pedagogical methods, institutions, forms of government, and so forth - arise from the economic necessities of its technology." - Heinlein, 1940 >>> On 9/20/2012 at 10:26 AM, in message <ddaa91b1d53bc14dba679e49ea74af11195a4...@by2prd0811mb441.namprd08.prod.outlook. om>, Richard Graham <[email protected]> wrote: > Fellow camslib/videolib folks, > > A faculty member recently requested we acquire a film titled White Scripts > and Black Supermen: Black Masculinities in Comic Books. At the site to > purchase it, the dreaded tiered pricing plan appears > (http://newsreel.org/video/WHITE-SCRIPTS-BLACK-SUPERMEN), with public and > school > libraries allowed to buy it for $25, while colleges have to spend nearly > $200. They claim if you purchase the home video version, you are not granted > rights to show the film in classrooms. Now, I'm not a lawyer, but these sort > of statements don't sound right to me. A colleague mentioned that some > publishers do this because they need funds to cover future productions and > it's a way for large institutions to subsidize independent documentaries, but > I can't help feel offended that they use these scare tactics and assume > colleges can easily absorb these large costs. I'm probably late to the party > on this topic, but I wonder what your thoughts are. Does anyone try to work > with publishers/producers to make these sort of materials more affordable? > How do you all handle these sort of acquisition situations? > > Cheers from Nebraska, > > Richard > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
