I could lecture on why the Cubs & Astros are so bad or even why Kiss Me Deadly is the greatest film ever made. So much more interesting than that preservation crap.
On Fri, Oct 12, 2012 at 7:54 PM, Dennis Doros <[email protected]> wrote: > On Fri, Oct 12, 2012 at 6:45 PM, Jessica Rosner <[email protected]>wrote: > >> Hmm how come Richard did not me? >> > > Hmmm ... perhaps because he's a married man? > > If you mean, "invite," it's because we are presenting the restored > versions of ORNETTE, THE CONNECTION and I'm doing my lecture "Where's > Shirley?" which I've done in Berlin, the NMM, Terry Malick's office and > elsewhere. > > -- > Best regards, > Dennis Doros > Milestone Film & Video/Milliarium Zero > PO Box 128 / Harrington Park, NJ 07640 > Phone: 201-767-3117 / Fax: 201-767-3035 / Email: [email protected] > Visit our main website! www.milestonefilms.com > Visit our new websites! www.shirleyclarkefilms.com, > www.comebackafrica.com www.ontheboweryfilm.com > <http://www.killerofsheep.com/> > Support "Milestone Film" on > Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426> > and Twitter <https://twitter.com/#!/MilestoneFilms>! > See the website: Association of Moving Image > Archivists<http://www.amianet.org/> and > like them on > Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717> > > AMIA 2012 Conference, Seattle, WA, December > 4-7!<http://www.amiaconference.com/> > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > >
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
