Larry

This scenario only applies if the distributor provides the hosting. For
those who host locally, there is not additional cost to the distributor,
who only needs to provide either the digital file, or a hard copy to be
digitized by the purchasing library.

In this second instance, the library incurs a greater expense as they must
not only purchase the hard copy, but also generate the streaming file.


I think, however, your overall suggestion of a pay per view pricing model
where cost per use decreases with each use is one that merits further
exploration.  

Thanx for your thoughts.

-deg

deg farrelly, Media Librarian
Arizona State University Libraries
Hayden Library C1H1
P.O. Box 871006
Tempe, Arizona  85287-1006
Phone:  602.332.3103

---
To market, to market, to find some fresh filmÅ 
I'm attending the 2013 National Media Market, November 3-7
In Charleston, South Carolina.  See you there?




On 3/3/13 7:03 AM, "[email protected]"
<[email protected]> wrote:

>
>2. One point, often overlooked, is that digital delivery has altered how
>"fulfillment" costs are paid. With DVDs there was a flat, minimal,
>one-time shipping charge paid by the purchaser. With digital, the
>distributor assumes an open-ended, bandwidth (usage) fee for every time a
>title is streamed. This results in an unsustainable economy where the
>more a title is used the less its seller nets, theoretically losing money
>on its most popular titles. Tiered pricing begins to address this problem.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Reply via email to