Yikes I am such an IDIOT. I blanked that Criterion took Paramount away from Swank a few months ago.
Thanks Jeff. In the end it is still Paramount who owns the rights but they obviously have not contracted for single title streaming. It likely won't do much good but they are still the place to contact but Criterion USA might be able to help. On Mon, Jul 22, 2013 at 9:30 AM, Jeffrey Pearson <[email protected]> wrote: > Hi Linda. The rights for Failure to Launch are held by Criterion Pictures > USA. > > http://media2.criterionpic.com/htbin/wwform/014?TEXT=R4221331-4225063-/CA/WWI770.HTM > > The rep I've been communicating with is below. So far, they do not > license their films for academic streaming. > > Brian Block > [email protected] > Criterion Pictures USA > 6300 Oakton St. > Morton Grove, IL 60053 > PH:(847)470-8164 x 223 > FX:(847)470-8194 > www.criterionpicusa.com > > > -Jeff > UMich > > > On Sun, Jul 21, 2013 at 5:41 PM, Frederiksen, Linda J > <[email protected]> wrote: > > It's true swank does license for Ed use but not for this title (failure > to launch). How would I find something similar to swank for this specific > title? > > > > Sent from my iPhone > > > > On Jul 21, 2013, at 2:36 PM, "Deg Farrelly" <[email protected]> > wrote: > > > >> Swank does license for educational use thru the Swank Digital Campus > >> streaming service > >> > >> -deg > >> > >> deg farrelly, Media Librarian > >> Arizona State University Libraries > >> Hayden Library C1H1 > >> P.O. Box 871006 > >> Tempe, Arizona 85287-1006 > >> Phone: 602.332.3103 > >> > >> > >> > >> > >> > >> --- > >> > >> http://tinyurl.com/AboutNMM > >> To market, to market, to find some fresh filmŠ > >> I'm attending the 2013 National Media Market, November 3-7 > >> In Charleston, South Carolina. See you there? > >> > >> > >> > >> > >> > >> On 7/21/13 12:55 PM, "[email protected]" > >> <[email protected]> wrote: > >> > >>> You may know better than I do, but my understanding is that studios > often > >>> license through large umbrella licensing organizations like the Motion > >>> Picture Licensing Corp (a yearly umbrella fee paid by them covers all > >>> their > >>> products), while Swank licenses specifically for large, on-campus > events. > >>> Neither provides educational licenses, only available through > individual > >>> filmmakers or educational distributors. > >>> > >>> Judith Dancoff > >>> NewFilmMarketing.com > >>> Breakthrough Strategies for DIY Distribution > >>> Los Angeles, CA 90065 > >>> 323-225-5633 > >> > >> > >> VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. >
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
