Haha that's ok. Thanks for the tip.

Sent from my iPad

On Feb 14, 2014, at 3:54 PM, "Jessica Rosner" 
<[email protected]<mailto:[email protected]>> wrote:

Oh great I am giving you a hard time and I can't even spell KNOW right. Anyway 
good chance Sony Classics has rights for both.


On Fri, Feb 14, 2014 at 3:46 PM, Jessica Rosner 
<[email protected]<mailto:[email protected]>> wrote:
Sarah you should no better. Sony CLASSICS which those are handles all its own 
films directly no Swank or Criterion. Now that said I can't find the contact 
info but I know many folks on this list have it.


On Fri, Feb 14, 2014 at 3:42 PM, Sarah E. McCleskey 
<[email protected]<mailto:[email protected]>> wrote:
Any ideas for Tie me up tie me down, or Sally Potter's Orlando?

Orlando was released on DVD by Sony in 2010 but I don't see it in swank or 
criterion.  The Almodovar I suspect is not available in the US.

Thanks for any hints.

Sent from my iPad

Begin forwarded message:

From: Isabelle Freda 
<[email protected]<mailto:[email protected]>>
Date: February 14, 2014 at 3:22:58 PM EST
To: "Sarah E. McCleskey" 
<[email protected]<mailto:[email protected]>>
Subject: Re: a couple more questions.

Hi Sarah,
We're reconsidering the Marker film. (Which is not on Blueray....)
Can you check the cost/availability for Almodovar's TIE ME UP, TIE ME DOWN
and  Sally Potter's ORLANDO?

A THOUSAND THANKS.

Isabelle Freda
Special Assistant Professor
Dept. of Radio, TV, Film
Herbert School of Communication, Hofstra University
124 Dempster Hall, Hempstead, NY  11549

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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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