I am amazed and pleased they could clear it. On Wed, Nov 19, 2014 at 9:38 AM, Sarah E. McCleskey < [email protected]> wrote:
> It is available in Films on Demand from Films Media Group. A VERY recent > addition. > > > > Sarah > > > > *From:* [email protected] [mailto: > [email protected]] *On Behalf Of *Randal Baier > *Sent:* Tuesday, November 18, 2014 5:13 PM > *To:* [email protected] > > *Subject:* Re: [Videolib] who is distributing the Eyes on the Prize > streaming ? > > > > Jessica, I wouldn't know the answer about multiple vendors owning > distribution rights, but I have come across some examples where the > filmmakers are marketing as well as a licensed distributor. > > > > Randal > > ============== > Randal Baier > Eastern Michigan University > Ypsilanti, Michigan 48197 > (734) 487-2520 > [email protected] > tweets @rbaier – skypes @ randalbaier > “... do not all strange sounds thrill us as human > till we have learned to refer them to their proper > source?” -Thoreau, mss., Journal 9: 1854-1855 > > > ------------------------------ > > *From: *"Jessica Rosner" <[email protected]> > *To: *[email protected] > *Sent: *Tuesday, November 18, 2014 4:56:13 PM > *Subject: *Re: [Videolib] who is distributing the Eyes on the Prize > streaming ? > > given the rights issues I am surprised anyone carries it. > > > > I am curious though is it common for more than one company to have the > same titles for streaming? I know sometimes rights are split by use ( one > company carries it as part of larger collection and one arrange streaming > of just that title for a fixed period) but did not know more than one > company would be able to license same rights. > > > > On Tue, Nov 18, 2014 at 4:48 PM, Randal Baier <[email protected]> wrote: > > Is EotP in streaming only carried by one vendor, or are there several? Who > are they please? > > > > > > All the best, Randal > > > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > > > > -- > > Jessica Rosner > Media Consultant > 224-545-3897 (cell) > 212-627-1785 (land line) > [email protected] > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > >
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
