Sure! Off of the top of my head I can think of three. The Google Books lawsuit 
and the HathiTrust lawsuit are also both good examples. In both cases the 
scanning of millions of books in their entirety was found to be a fair use. 
There is also the Bill Graham v. DK lawsuit, where courts found the 
republication of concert posters to be fair use.

Again, I caution you to not try to limit the application of the TEACH Act based 
off of perceived limitations on the application of fair use. They are two 
different statutes and I think it's unwise to try to limit the application on 
one based off of the language of another.

My view is that an instructor can always consider utilizing the TEACH Act for 
providing a copy of a work to students online, be it in part or in its 
entirety. Working through the points of compliance and the language of the law 
will help them determine if their use can be made under the Act. I personally 
don’t find the quote in the congressional report to be vague or nuts. To me 
they are saying that you do need to consider the amount of the work that is 
relevant to the educational goal and use only that. Say there is an instructor 
who is teaching an online Computer Generated Imagery (CGI) class and wishes to 
stream  Peter Jackson’s The Fellowship of the Ring in its entirety for their 
students. There are certainly lots of scenes in this movie that incorporate 
CGI, but there are also lots of senses where hobbits are wandering through 
pastures and there is no CGI used. Under the TEACH Act I think the instructor 
would be able show clips of the scenes where CGI is used but, in my opinion, 
the parts of the movie that have no CGI would not seem relevant to the 
educational goals of the class so I would discourage them from using those. As 
for your Citizen Kane example… I would say you would need to talk with the 
instructor to find out their instructional needs and then work carefully 
through the TEACH Act to see if it could be applied to the situation. As with 
almost any copyright questions you can’t generalize and say “Sure that’s ok!” 
You need to examine the facts of each situation, see what exemptions may be 
applicable, and then work from there.

I don’t want to tie-up the list with back-and-forth so I’ll conclude by 
climbing up on a soap box and saying that fair use and the TEACH Act are 
exemptions that are extremely applicable in higher education. When wanting to 
share copyrighted works with students I encourage instructors and librarians to 
consider them both carefully and apply the law in a thoughtful manner. I think 
that as librarians we are here to promote and champion access to information. 
When we curb our practices out of fear of “what if I might get sued” or based 
off of bad copyright information we are keeping ourselves from achieving this 
goal. I’m certainly not encouraging anyone to break the law in the name of 
information advocacy! Rather I’m saying that Congress gave us these exemptions 
to help us fulfill this mission and I think that should always thoughtfully 
consider their application to a situation.

Best,
Carla

From: 
[email protected]<mailto:[email protected]> 
[mailto:[email protected]] On Behalf Of Jessica Rosner
Sent: Friday, August 21, 2015 8:17 AM
To: [email protected]<mailto:[email protected]>
Subject: Re: [Videolib] Copyright question: American Playhouse Films

Carla
Other than the Sony case can you please site any case in which an entire work 
of length (not a single photo or a few minutes of media) was ruled to be  "fair 
use"  such as a entire book or feature film?The GSU (and Google) case are both 
the most recent and exactly on point.
The phrase "relevant toward achieving a educational goal” is so vague as to 
simply obliterate copyright protection. Surely showing Citizen Kane to an intro 
film class would fit that criteria so why pay Swank to stream it?
Is that your view?


On Fri, Aug 21, 2015 at 10:08 AM, Carla Myers 
<[email protected]<mailto:[email protected]>> wrote:
Hi, Jessica
The report I cited was put out by the Congressional Research Service. Their job 
is to “provide policy and legal analysis to committees and Members of both the 
House and Senate.” If the CRS, acting in this capacity, determines that the 
full use of a film may be acceptable under the law that’s good enough for me! 
I’m not saying this allows anyone to post full versions of films online 
willy-nilly. You need to meet the points of compliance of the Act, apply the 
law thoroughly and thoughtfully to the situation at hand, carefully think how 
much of the work is needed to teach a subject, and then only stream that 
amount. If an instructor only needs short clips or half the film to teach a 
lesson then that’s all that should be made available online. However if they 
can provide strong justification as to why viewing the entire film is “relevant 
toward achieving a educational goal” then this report seems to be supporting 
that particular type of use under the Act.

The TEACH Act and fair use are different statutes and I think it is extremely 
difficult and slightly dangerous to argue that the language of one limits to 
other. The “reasonable and limited” language is found in the TEACH Act, not the 
fair use statute. The language talking about the “amount and substantiality of 
the portion used in relation to the copyrighted work as a whole” is the third 
factor of fair use and is not found in the TEACH Act. If fair use could be 
limited by the language of the TEACH Act then folks utilizing it in any 
capacity, not just educationally, would need to find an instructor to supervise 
the use. The TEACH Act applies to the online use of works, so if it’s language 
was applied to fair use then all fair uses would have to be conducted online. 
The language of these statues should not be mixed. Rather each exemption should 
be applied to each individual situation to see which one could be utilized to 
accomplish a goal.

You cite the GSU case as evidence that fair use does not allow the use of an 
entire work but don’t forget there have been numerous lawsuits where the courts 
have found reusing an entire work to be a fair use. I think it’s better to take 
a look at the legislative history of fair use then pick one particular case and 
let that guide all of your practices.

Best,
Carla

From: 
[email protected]<mailto:[email protected]> 
[mailto:[email protected]] On Behalf Of Jessica Rosner
Sent: Thursday, August 20, 2015 12:40 PM

To: [email protected]<mailto:[email protected]>
Subject: Re: [Videolib] Copyright question: American Playhouse Films

Wow
First the youtube copy was NOT a legal copy so you can never use it.
Second the idea that if a "film’s entire viewing is exceedingly relevant toward 
achieving a educational goal.” it is OK to stream an entire film is well nuts 
and goes against both the words of the TEACH ACT itself  and established 
copyright law including the two very recent cases of Georgia State and Google 
books where the courts were VERY clear that only portions of larger works could 
qualify as "fair use". While there is not exact amount that can cover every 
case both of the above were again crystal clear that there were limitations and 
ironically one of main elements in the history of determining "fair use " in 
those and other cases is if the use infringes on the core or heart of a work, 
thus several of the GSU uses were determined to violate fair use. I don't see 
how entire work is a "reasonable and limited portion" let alone one that does 
not get to core of copyrighted work.

If it was OK to stream a work for being "exceedingly relevant towards achieving 
and educational goal"  copyright at least in education would cease to exist and 
there would also be no point in deciding "fair use" if it covered entire films 
or works as long as they were for education.



On Thu, Aug 20, 2015 at 1:58 PM, Carla Myers 
<[email protected]<mailto:[email protected]>> wrote:
Hi, Lowell
The TEACH Act does not actually forbid the use of an entire audiovisual or 
dramatic work. Rather it states that you can use "reasonable and limited 
portions" of these types of works. Keep in mind that some thought needs to go 
into the use of the entire audiovisual or dramatic work. A congressional report 
put out in 2006 states that:
“Although what constitutes a “reasonable and limited portion” of a work is not 
defined in the statute, the legislative history of the Act suggests that 
determining what amount is permissible should take into account the nature of 
the market for that type of work and the instructional purposes of the 
performance. For example, the exhibition of an entire film may possibly 
constitute a “reasonable and limited” demonstration if the film’s entire 
viewing is exceedingly relevant toward achieving a educational goal.”

If you want to consider utilizing the TEACH Act to providing streaming access 
for this film keep in mind that your institution must satisfy the points of 
compliance outlined in the Act. Peggy Hoon from UNCC has put together an 
wonderful informational website on the TEACH Act and developed excellent 
checklists that can help you work through the points of compliance: 
http://copyright.uncc.edu/.

And, as others have pointed out, you can also consider fair use for streaming 
the film online!

Best,
Carla

From: 
[email protected]<mailto:[email protected]> 
[mailto:[email protected]<mailto:[email protected]>]
 On Behalf Of Jessica Rosner
Sent: Tuesday, August 18, 2015 2:53 PM
To: [email protected]<mailto:[email protected]>
Subject: Re: [Videolib] Copyright question: American Playhouse Films

Well for starters youtube is not a legal copy so you  can't use that andyou 
can't  use an entire drama under the TEACH act even if you found a legal copy,  
basically you will have to try to find out who the owner is and if they will 
license it though older TV titles tend to be very difficult to track down

Lastly it is not public performance rights but streaming rights you would be 
looking for.




Jessica

On Tue, Aug 18, 2015 at 4:40 PM, Lowell Lybarger 
<[email protected]<mailto:[email protected]>> wrote:

My apologies in advance if this topic was already covered at length.



We have instructors at my university who would like to have their 
distance-education students watch the American Playhouse version of A Raisin in 
the Sun (1989) that is currently available through YouTube.  This version was 
directed by Bill Duke and features Danny Glover and Esther Rolle.  Do American 
Playhouse films require public performance rights?  The URL would be posted on 
a web course through Blackboard.



Lowell Lybarger


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.



--
Jessica Rosner
Media Consultant
224-545-3897<tel:224-545-3897> (cell)
212-627-1785<tel:212-627-1785> (land line)
[email protected]<mailto:[email protected]>

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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