--- Howard Posner <[EMAIL PROTECTED]> wrote:

> charangophile 

that's vihuelaphile and i believe - as the song goes -
i just got the goodbye look.

these are all good points i've raised - interesting
and original - and all i've received in return is what
amounts to a company line.

i don't know why this should be - it's not as if
you've got thesis's to defend.  the chordaphones of
the new world came from europe: they're period
instruments.  to think otherwise denies common sense
and the eyes in your collective heads.

i've saved the best for last.  i know i've mentioned
it before but don't recall anyone responding to it:

the ukulele is a european instrument, directly linked
to an early tradition.  its arrival in the new world
is well documented and it hasn't changed a bit since. 
its association with hawaii is so complete that its
hawaiian name is universally accepted to be its real
name.

why?  we know it ain't so.  what manner of thinking is
at play here?  

the emperor is naked and the charango is a vihuela.

thanks guys, it's been fun.  i've got a stack of
medieval and renaissance tunes to learn on my
beautiful new mandolin (m-4 from mid-missouri mandolin
co. in the united states - have a look at their site)
and the olive trees need work done to them for
harvest.

mega ciao and thanks - bill 

"and thus i made...a small vihuela from the shell of a creepy crawly..." - Don 
Gonzalo de Guerrero (1512), "Historias de la Conquista del Mayab" by Fra Joseph 
of San Buenaventura.  go to:  http://www.charango.cl/paginas/quieninvento.htm


                
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