> From: [EMAIL PROTECTED]
> Date: Sun, 27 Aug 2006 10:28:36 -0400
> To: "'vihuela list'" <vihuela@cs.dartmouth.edu>
> Subject: [VIHUELA] Re: Icon alert -- vihuela in newly-recovered Valencia
> Cathedral fresco 
> 
> Roger wrote:
> 
>> Well, you're entitled to your interpretations. I'm not sure how you're
>> coming to think _metal_ strings though. I have thought that I've been seeing
>> "single strings" for quite some time in some other pictures but I haven't
>> made an issue of it -- I have other battles to fight ;').
> 
> Ok, clearly you're offended by any dissenting discussion here. I
> thought we were having an interesting and friendly discussion to
> determine what the instrument in fact was. If I gave offense I
> apologize. My intent was not to argue but to discuss and thereby
> learn more. Since you wish to call it a vihuela and to discount any
> contradiction I'll keep my opinions to myself from now on, though I
> think your supposition that the "rose" rises above the sound board is
> unfounded as such a thing would definitely brush against the strings
> and, in my opinion, hinder playing. I've never heard of any plucked
> string instrument (from period, just so we understand that I'm not
> talking about a modern steel guitar or dobro) with such a raised rose.
> 
>> I'm quite satisfied to call it a vihuela or viola -- and a stunner at that!
>> There is no one "true" vihuela nor viola  -- that should be understood by
>> now, yes?
> 
> Yes, but calling it a vihuela doesn't make it so. A guitar is not a
> gittern which is not a bandora which is not a vihuela. I'm satisfied
> that this instrument is something unique, but not a vihuela in the
> sense that we understand what a vihuela is (an entirely different
> discussion from what a vihuela isn't).
> 
>> I think you might be getting a little over-analytical. Enjoy the thing, it's
>> cool and beautiful! ;-)  I'm certain it was a stunning new design to them
>> too at the time they were painting it -- very distinct from any recent past
>> medieval model, a Corvette to a model-T, racy. Why not call attention to it
>> with that big gold rose against the blue starry-sky back-drop. Maybe it's
>> doubling as "the moon" (symbolically).
> 
> I am not certain of anything with respect to this instrument. That's
> why I ask questions and make speculations. I'm not as comfortable
> saying a thing is so if there's some doubt unless I have absolute
> certainty. My interpretations of the painting based on my experiences
> as a musician lead me to a different conclusion. So be it. For you
> it's a vihuela. For me it's a puzzle. I like puzzles, but not so much
> "battles".
> 
> Regards,
> Craig
> 


Sorry Craig;

I didn't mean to upset you. Just before I received this reply I sent off a
rider note with the name of a consulting luthier on the project.

Peace
Roger



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