I appreciate Paul Mulik's explanation of those two pieces of program music
recurring through the episodes of TAGS. I've often wondered about
them-especially the fiddle tune- it had the sense of an in-house compostion
that was used for certain cues in the plot. And the dramatic sounding march
used when Barney is in his official capacity ready to pounce on a lawbreaker
really does bring a "Dragnet" association!
BTW, I am reading Ken Kesey's "Sometimes a Great Notion" and came across the
following excerpt: "...we don't want to get our good friends and neighbors all
het up over nothing, do we?" Anyone know the origins of this phrase that Andy
liked to use occasionally?
Thanks,
Eric Swolgaard
Sacramento, CA
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