>I guess I've seen every Matlock episode more than once. some three or four 
>times. 
>But it's obvious the writers for that show couldn't hold a candle to the TAGS 
>writers.


Vic - I'm impressed by your ability to watch all the Matlock episodes! I too 
was bothered by the "formula" scripts and gave up watching after seeing the 
same thing again and again and will admit I have watched very few Matlock 
episodes completely. This bring a couple things to mind...

I enjoy the TAGS color eps, but will also admit, not as much as the B&W. Mainly 
because I felt the quality and creativity of the writers was not at the caliber 
of the Seasons 1-5 writers (e.g. Harvey Bullock and Everett Greenbaum). You had 
essentially the same characters and the same actors portraying them*, but the 
material they had to work just was not as funny to me. 

I think these early writers also became "rising stars", as Don Knotts was when 
he signed the movie deal with Universal. I can't blame them for moving up, but 
have always wondered if they had kept writing in seasons 6-8 whether they would 
have been able to create the same classic episodes or characters (Ernest T, 
Malcom Merriweather, The Darlings, Dave Browne) as the first five seasons.


*I always credit Paul Mulick (and agree) with the idea (could be a theory) that 
material was written for Barney Fife/Don Knotts in Season 6 ended up with 
Warren Ferguson/Jack Burns. I feel they were both capable actors (and at least 
one can spell capable) but to me, it boiled down the writers. Had they created 
original material for Jack Burns, who knows what might have happened? It would 
have been impossible to create the same on-screen chemistry that Andy/Barney 
had because Andy/Don were such good friends, but trying to replicate success 
using different people is nearly impossible. Especially when you are going more 
by the heart (Season 1-5) and less by the book.

Too many "what if's". I'm just glad to have TAGS, along with the friends I've 
made because of it.

Jeff

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