(Ah, whoops, hadn't read the last two posts in the thread which explained
exactly what I did, somewhat better...)

2009/11/8 Andrew <[email protected]>

> The "copyfraud" argument is basically - in their view, the item is under PD
> already so it is unethical for museums etc to licence it under any terms at
> all as they don't "own" them.
>
> However what that argument doesnt acknowledge is that the material may be
> PD but the hosting and preservation of it is the key element (as we
> discussed at GLAM) and the museum are providing us with freely available
> *digital copies* which are, within the terms of the licence, freely
> available and reusable worldwide.
>
>
> 2009/11/7 Craig Franklin <[email protected]>
>
>> Hi Peter,
>>
>> Unfortunately the physical objects that the collection is based upon (the
>> glass plate negatives) are in a locked cupboard somewhere in the QM
>> warehouse, so the possibility of getting our hands on them and making our
>> own copies are fairly remote.
>>
>> I've deliberately worded the info in the infobox to be slightly ambiguous
>> - QM *claim* copyright on the digitisation (much the same as the NPG in the
>> UK), but there has not been a legal case here in Australia to my knowledge
>> or the knowledge of QM's copyright people to confirm whether the "sweat of
>> the brow" doctrine would hold up in an Australian court.  We only say that
>> QM "assert" copyright over the digitisation, not that we recognise that
>> particular claim.  And because the digitisation part is then released under
>> a free, acceptable licence, the whole shebang is fine to go on Commons.
>>
>> The images are tagged PD because they are unquestionably PD in the United
>> States, which is what really matters in this case, but it's worth mentioning
>> that there is a possible bit of CC-BY-SA-3.0 in there just so that nobody in
>> Australia or the UK gets caught out.
>>
>> Cheers,
>> Craig
>>
>> -----Original Message-----
>> From: [email protected] [mailto:
>> [email protected]] On Behalf Of Peter Ansell
>> Sent: Sunday, 8 November 2009 9:00 AM
>> To: Wikimedia-au
>> Subject: Re: [Wikimediaau-l] The A E "Bert" Roberts photograph collection
>>
>> Mmmm... I don't quite understand the technicalities involved, but they
>> are licensing it under CC-BY-SA so the outcome of the license is
>> definitely not a deletion candidate.
>>
>> In my naive opinion I might think the word copyfraud relates to the
>> use of a more limited license on a copy of a completely freely
>> available image. It does seem arbitrary to put on the extra
>> attribution/share alike clause just so the museum can be recognised as
>> "the digitiser" given that the museum doesn't technically have any
>> copyright/legal rights over the use of the original image unless they
>> do that.
>>
>> If an external institution wants to digitise PD images with strings
>> attached then people will wikilawyer about it. If the original image
>> is PD, could someone else get access to the PD image and provide a PD
>> digitised copy or would museums use their powers to restrict access to
>> an image just to keep the attribution aspect?
>>
>> Cheers,
>>
>> Peter
>>
>> 2009/11/7 Craig Franklin <[email protected]>:
>> > It might just be the fact that I’ve not yet had my morning coffee, but
>> under
>> > what grounds is he claiming it’s “copyfraud”?  This is the sort of thing
>> I
>> > was worried about, and pedantic wikilawyering like this is in my opinion
>> one
>> > of the main things that make external institutions nervous about working
>> > with us.
>> >
>> >
>> >
>> > Cheers,
>> >
>> > Craig F.
>> >
>> >
>> >
>> > From: [email protected]
>> > [mailto:[email protected]] On Behalf Of Matt
>> inbgn
>> > Sent: Sunday, 8 November 2009 8:26 AM
>> > To: Wikimedia-au
>> > Subject: Re: [Wikimediaau-l] The A E "Bert" Roberts photograph
>> collection
>> >
>> >
>> >
>> > This deletion discussion may be of some interest.
>> >
>> > Matt
>> >
>> > 2009/11/8 Andrew <[email protected]>
>> >
>> > indeed, fantastic effort :) I like the way in which it's been done -
>> i.e.
>> > they still have control over what gets released, but then anything they
>> > decide to release is public. Makes it a lot less scary for the GLAM.
>> >
>> > 2009/11/7 Gnangarra <[email protected]>
>> >
>> >
>> >
>> > the file http://commons.wikimedia.org/wiki/File:Hearse-r.jpg has been
>> added
>> > to http://en.wikipedia.org/wiki/Hearse#History there are some really
>> > interesting image in the ones already uploaded thanks for your efforts
>> Craig
>> >
>> >
>> > 2009/11/6 Craig Franklin <[email protected]>
>> >
>> > Hi All,
>> >
>> >
>> >
>> > I’m pleased to announce that based on some contacts that I made at the
>> > GLAM-WIKI conference back in August, and some onsite work that the
>> Brisbane
>> > Wikimedia community has been doing at the Queensland Museum (QM), the
>> Museum
>> > has commenced uploading digitized images from their “A E (Bert) Roberts”
>> > photograph collection to Commons.  Bert Roberts was a coachbuilder from
>> > Ipswich in the early 1900s , but also enjoyed photography and took
>> > photographs of a wide variety of subjects, chiefly scenes of everyday
>> life
>> > in Queensland from the time.  While not famous for his photography
>> during
>> > his lifetime, after his death his collection of images came to be
>> recognised
>> > as providing a unique view into the society of the time.  His
>> photographs
>> > are the subject of a Queensland Museum exhibition, which chiefly resides
>> at
>> > their Toowoomba campus (the Cobb & Co Museum), but which presently has
>> > travelled to Ipswich for a limited time.
>> >
>> >
>> >
>> > So far, 21 images have been uploaded to Commons, but there are over a
>> > thousand glass plate negatives in total that the Museum has.  You can
>> see
>> > what’s been uploaded so far here:
>> >
>> >
>> >
>> >
>> http://commons.wikimedia.org/wiki/Category:A_E_%22Bert%22_Roberts_plate_glass_photo_collection
>> >
>> >
>> >
>> > My request to all of you, basically, is to:
>> >
>> >
>> >
>> > ·         Categorise, enhance, and basically edit the file pages as much
>> as
>> > possible.
>> >
>> > ·         Look for appropriate pages on Wikipedia and other places where
>> > this content can be used, and use it.
>> >
>> > ·         Spread the word that GLAM institutions are seeing the benefits
>> of
>> > making their collections available through Commons and other free media
>> > repositories!
>> >
>> > ·         Watch out and make sure the pages aren’t vandalised, and any
>> > problems that crop up are dealt with quickly so that QM can concentrate
>> on
>> > providing us with free content, and not learning arcane points of
>> Wiki-law.
>> >
>> >
>> >
>> > Many of the original plate glass negatives held by the museum have not
>> been
>> > digitised yet, but if there is anyone who would be interested in
>> > volunteering some of their time to learn how to do, and then actually
>> *do*
>> > the digitisation, there may be an opportunity to get in and do that.  If
>> > you’re interested (and preferably have some “serious” photography
>> > experience), let me know and I’ll pass your details on.
>> >
>> >
>> >
>> > It’s my hope that this will be but the first of many successful
>> > collaborations between WMAU people and GLAM institutions throughout the
>> > country.  I already have a couple of other collaborations cooking away
>> here
>> > in Queensland that will hopefully result in a win not only for the WM
>> > projects, but also open access to cultural and heritage material in
>> > general.
>> >
>> >
>> >
>> > If anyone has any questions regarding these particular images, please
>> feel
>> > free to ask me!
>> >
>> >
>> >
>> > Cheers,
>> >
>> > Craig Franklin
>> >
>> >
>> >
>> > _______________________________________________
>> > Wikimediaau-l mailing list
>> > [email protected]
>> > https://lists.wikimedia.org/mailman/listinfo/wikimediaau-l
>> >
>> >
>> > --
>> > GN.
>> > http://gnangarra.redbubble.com/
>> >
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