Stems of stones, tendrils of tones

[Bob Brueckl]

Stems of stones, tendrils of tones     1. The smell is narrow. The smell is questioning its desire. Reverberating stones know the stuff of pleasure. My breath is being stuffed with particulars. The whole of desire is questioning exhalation. The smell knows the particulars of desire. What is being stuffed is very narrow. The stuff of pleasure stinks of breathing. The narrow whole is being entered:  reverberating distractions differentiating narrow desires, the rank odor of explicit perturbation.   2. Stone stuff beguiling exhalations. The explicit pleasure is entered. Water breath smells narrowly whole. I enter the distraction of smell. I enter the reverberating distractions of particular exhalations.   3. The pleasure is explicit. The pleasure is explicitly beguiling. My whole breath is being entered. Desire for the explicit is being narrowed down to stems of stones, tendrils of tones.   4. The paler distinction is straining. It is raining predilections. The contraction of loss is inside the velvet pleasure. The smell of pleasure is round. The bland darkening is opening. The beguiling object is disturbing. The color of my head is perplexing. The pimple is changing. The bland opening is inside our name. It is abandoned like a toy. The velvet contradiction is moving or constraining. The paler darkening is contracting the smell of the object. The texture is paler. The pressure of the texture is paler. The name of the pressure is beguiling. My name is a toy. The texture is being abandoned. The name of the object is disturbing. The pressure on my head is pleasant. My head is burning. The color of my head is being buried. The texture of the pressure is perplexing.      Forget the darkening bliss; it is emptied of darker sparkling quiverings.   5. The sap is swelling, moving whiter, precisely appearing to vanish.   6. The sap is softer than forgetting. Forgetting is emptied of all bliss. Bliss is changing into disappearing the loneliness darkening whiter obstructions swelling forgotten feelings.   7. Only nobody is lessening the absence of destruction changing plainer noises into existing raw quivering distractions.   8. Gnarled charging questions darken the dim climax. The pressure of color is pasted into evaporating delights that appear to bend the whiter moving precision into a breathing piece of gliding imagination inundated with the if of the whole abandonment lessening particulars alone.   9. The forgotten sap is quivering. The swelling sap is a particular climax. The whiter existing gliding is vanishing. The bliss is lessening. The climax is evaporating. The darkening existing is moving. The whole destructing climax is forgotten. The swelling quivering is not gliding. The bliss is disappearing. The plainer climax as a whole is not lessening. A particular climax is darkening. The darkening is being forgotten, and is forgotten. The swelling is plainer than gliding. The climax is moving, swelling, quivering. The bliss is darkening. The darkening is emptied of precise questions. The darkening color is in question. The darkened color appears to be breathing. The breathing color appears to be inundated with a softer loneliness.   10. The darker obstruction of emptiness is feeling gnarled. By the whiter delights of the imagination, the softer raw noises are dimly being abandoned.   11. Absence appears as a piece of nobody. The darker color is feeling precise. Only the changing raw delight can be bent into pieces. The precision is whiter than gnarled sparkling. The question is abandoned. Nobody is alone amid the softer changes. The irritation of pressure is inundated with obstructed imaginings.   12. The dim color is the delight of nobody. If a piece of a feeling is sprinkling pasted delights all around, then the abandonment of the bent question is darker than white.   13. The darkness is emptied of itself. The darkness is breathing. The darkness is emptied of all breathing. Darkness is reappearing as a noise emptied of itself. The darkness is breathing emptiness. Darken the lessening. Empty the noise of all distractions. Distract the lonely noise. The breathing is emptied of all loneliness. The darkening breathing is reappearing. The lonely distractions are emptied of all noise. The absence of breathing appears to be lessening. The distracted noise is not breathing. The noise is reappearing to distract the darkness. In the absence of breathing, the emptiness of darkness is reappearing to distract the lonely.   14. Breathing loneliness, the emptiness is lessening. A lonely noise is reappearing to empty the absence of darkness.    --Bob BrueckL