wow - great!
--- Bob Brueckl <[EMAIL PROTECTED]> wrote:

> Stems of stones, tendrils of tones
>
>
> 1.
> The smell is narrow.
> The smell is questioning its desire.
> Reverberating stones know the stuff of pleasure.
> My breath is being  stuffed with particulars.
> The whole of desire is questioning exhalation.
> The smell knows the particulars of desire.
> What is being stuffed is very  narrow.
> The stuff of pleasure stinks of breathing.
> The narrow whole is  being entered:  reverberating
> distractions
> differentiating narrow desires,  the rank odor of
> explicit perturbation.
>
> 2.
> Stone stuff beguiling exhalations.
> The explicit pleasure is  entered.
> Water breath smells narrowly whole.
> I enter the distraction of  smell.
> I enter the reverberating distractions of particular
> exhalations.
>
> 3.
> The pleasure is explicit.
> The pleasure is explicitly beguiling.
> My whole breath is being entered.
> Desire for the explicit is being  narrowed down to
> stems of stones, tendrils
> of tones.
>
> 4.
> The paler distinction is straining.
> It is raining predilections.
> The contraction of loss is inside the velvet
> pleasure.
> The smell of  pleasure is round.
> The bland darkening is opening.
> The beguiling object  is disturbing.
> The color of my head is perplexing.
> The pimple is  changing.
> The bland opening is inside our name.
> It is abandoned like a  toy.
> The velvet contradiction is moving or constraining.
> The paler  darkening is contracting the smell of the
> object.
> The texture is paler.
> The pressure of the texture is paler.
> The  name of the pressure is beguiling.
> My name is a toy.
> The texture is  being abandoned.
> The name of the object is disturbing.
> The pressure on  my head is pleasant.
> My head is burning.
> The color of my head is being  buried.
> The texture of the pressure is  perplexing.
> Forget the darkening bliss; it is  emptied of darker
> sparkling quiverings.
>
> 5.
> The sap is swelling, moving whiter, precisely
> appearing to vanish.
>
> 6.
> The sap is softer than forgetting.
> Forgetting is emptied of all  bliss.
> Bliss is changing into disappearing the loneliness
> darkening whiter
> obstructions swelling forgotten feelings.
>
> 7.
> Only nobody is lessening the absence of destruction
> changing plainer  noises
> into existing raw quivering distractions.
>
> 8.
> Gnarled charging questions darken the dim climax.
> The pressure of  color is pasted into evaporating
> delights that appear to
> bend the whiter moving  precision into a breathing
> piece of gliding imagination
> inundated with the if of  the whole abandonment
> lessening particulars alone.
>
> 9.
> The forgotten sap is quivering.
> The swelling sap is a particular  climax.
> The whiter existing gliding is vanishing.
> The bliss is  lessening.
> The climax is evaporating.
> The darkening existing is moving.
> The whole destructing climax is forgotten.
> The swelling quivering is not  gliding.
> The bliss is disappearing.
> The plainer climax as a whole is not  lessening.
> A particular climax is darkening.
> The darkening is being  forgotten, and is forgotten.
> The swelling is plainer than gliding.
> The  climax is moving, swelling, quivering.
> The bliss is darkening.
> The  darkening is emptied of precise questions.
> The darkening color is in  question.
> The darkened color appears to be breathing.
> The breathing  color appears to be inundated with a
> softer loneliness.
>
> 10.
> The darker obstruction of emptiness is feeling
> gnarled.
> By the  whiter delights of the imagination, the
> softer raw noises are dimly
> being  abandoned.
>
> 11.
> Absence appears as a piece of nobody.
> The darker color is feeling  precise.
> Only the changing raw delight can be bent into
> pieces.
> The  precision is whiter than gnarled sparkling.
> The question is abandoned.
> Nobody is alone amid the softer changes.
> The irritation of pressure is  inundated with
> obstructed imaginings.
>
> 12.
> The dim color is the delight of nobody.
> If a piece of a feeling  is sprinkling pasted
> delights all around, then the
> abandonment of the bent  question is darker than
> white.
>
> 13.
> The darkness is emptied of itself.
> The darkness is breathing.
> The darkness is emptied of all breathing.
> Darkness is reappearing as a  noise emptied of
> itself.
> The darkness is breathing emptiness.
> Darken the  lessening.
> Empty the noise of all distractions.
> Distract the lonely  noise.
> The breathing is emptied of all loneliness.
> The darkening  breathing is reappearing.
> The lonely distractions are emptied of all noise.
> The absence of breathing appears to be lessening.
> The distracted noise  is not breathing.
> The noise is reappearing to distract the darkness.
> In  the absence of breathing, the emptiness of
> darkness is reappearing to
> distract  the lonely.
>
> 14.
> Breathing loneliness, the emptiness is lessening.
> A lonely noise  is reappearing to empty the absence
> of darkness.
>
>
> --Bob BrueckL
>
>
>

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