25.10.2005 22:10:20, lanny quarles <[EMAIL PROTECTED]> wrote:
>The huh? for Re:d Octo/per...
>
>Dis(s).... had'e's... d-uh... re:ad t.he p/df!
>you see a picture of headcode o/p
>the line is pregnant (w/ buttocks):>
>
>http://noemata.net/d/D05296.pdf
>
>
>----- Original Message -----
>From: "Steve Dalachinsky" <[EMAIL PROTECTED]>
>To: <[email protected]>
>Sent: Tuesday, October 25, 2005 11:37 AM
>Subject: Re: d
>
>
>> huh?
>>
>
>
>
For the curious
Spring 2004, solipsis wrote:
> I/O] in its dreaming core respeaks the labyrinth as a kind
> of return of the daidala (curious work).. or in
> mythopoiesis the line, and the circle..
Io is turned into a cow by Zeus - the cowork of codework,
orks of codelaboration - first en Egypt she resumed her
shape, then as Isis with code's horn.
Modulation of I/O, d or p, the pi relation between line and
circle - from periphery, external surface of a body,
transcendental/number - anyway a binary processing creating
the body and endless tail string, eidolon, the maze as image
of the snake (by I/O d/pi dots per inch resolution).
> the snake swallowing its prey, or perhaps the world-snake
> as 'string' 'swallowing' the world..
Pregnancy and bolus, yoni lingam yakety, unch, living lingam
in the yoni, and the androgyne. Both symbols contain the
paradox within themselves and provide a resolution. Lingam,
Sanskrit, literary 'mark' or 'sign' - is there a connection
between 'sign' and 'seed' (seme and semen)? via sema,
seme, sememe semiological adj.[Gk semeion sign f. sema
mark], seminal, symbolic inseminal, pregnancy - pregnant
expression -
> this swallowing of the world is in fact presented as
> inverse image
how is that? you mean containing itself, like d in
daidalonics, or G in GNU (GNU's not UNIX (not UNIX (not
UNIX)))? - the head generating part - car and cdr of lisp -
plotted into itself as something else, disguised as
minotaur? - mythical Loki created three monsters, disguises
of creation/destruction - Fenri, Hel, Midgard (the serpent
embracing the world), Hel is a kind of eternal labyrinth,
home of the dead, Fenri wolf finally swallows the earth -
begin, loop, end.
> at any rate the string hasn't swallowed the world, the
> world exists in the string, distributed networks etc,
> dna, code.. so the product is encoded in the string so
> with that pregnant d, that ariadnic thread which has
> swallowed the world (which is about to digorge a 'world')
like d is the executing code, the head of the monster,
creating the world as string or as 'world' when decapitated
leaving eidolon as image, world apparition - Yme the human
monster is killed to make the world, blood, bones, brains,
etc.
> The term daidala is rich with associations. In Hesiod's
> Theogony, Pandora's veil is 'a wonder to behold' [thauma
> idesthai], as is her gold crown, on which is 'much
> curious work' [daidala polla]
codework as curious work - curious: careful, inquisitive,
cure - corresponding to algorithmic, heuristic, eurythmic -
the three monsters of code, all touched upon earlier,
algorithmic: the careful code; heuristic: the searching,
erratic; eurythmic (dance, movement): the coding by
uncoding, walking backwards, retracing the steps (like the
psychoterapeutics of thinking discussed earlier). They
correlate somewhat to science, technology, art.
> choros is 'a lovely dance'
> But daidala also means 'cunning skill' as when Hera dawns
> the cosmos in the Illiad to seduce Zeus..
She did? Io was Zeus' mistress maybe, his cow, placed under
surveillance by Hera. Is codework I/O then also the mistress
of the world, its unfolding, desire, code?
> She clothes herself in kosmon.. or 'peri chroi kosmon
> echousa' having kosmon about her body..
Daidala both the cunning skill (curious) and image (work),
disguise (Hera) and undressing (Io).
> Daedalus went to Knossos in Crete, where he took up
> residence in the court of King Minos.. There he built a
> mechanical cow which queen Pasiphae hid herself in so as
> to have sex with a bull which she was lusting for.. this
> union by means of a prosthetic bovine produced the
> minotaur.. to hide the shame of this freak child of the
> queen's perversion, daedalus built the labyrinth..
Aha
> daedalus built a dance-floor, a choros, which is both
> the dance and the dance-floor, then ariadne and theseus
> fled to the sacred isle of delos, the birthplace of
> apollo and performed a dance which was cryptically called
> the 'crane dance'..
I'd wish them good luck, but Theseus deserted her and she
married Dionysos, right?
> the myth is really about making and remaking, about
> appearing and reappearing..
well codework is remaking, daidalonics is curious
reworkings, - 'shame and mutation'
> the labyrinth is also a modulation between the two notions
> of boundless and dead-end and conceals the relationship
> between the terms apeiron and aporia..
is it a symbol of 'code' (and sign)? like there is no end to
code and then nothing in it, maybe as mutation (apeiron) and
shame (aporia) - everything and nothing - code/sign as
d/eidolon - the world is a shame (closed system) from the
co-'d's mutations (open system) - the minotaur is upholding
the labyrinth (by being inside it), while the
theseus-ariadne business (external) is the shame dead-end
world part.
> Symmetry in the manufacturing world is something which
> really isnt that important. What's important is falling
> into a set tolerance range across an individual wafer..
> there really isn't an aesthetic present, other than time-
> saving schema based on experience for adjustments..
The heuristics of labyrinths, vs algorithmic, eurythmic,
which are symmetry and aesthetics in some way (like science
and art, while technology is hack).
: a joy to read, i can only ponder upon this dance of
knowledge and give my : daidalas in the tongue of mazpiq
(maze-speak, mazepic, epic). some correlation : between
langue and tongue, the structural system (daidalonics) and
the spoken : word (mazpiq).d + eidolon are the head and body
of the maze, the minotaur and : the maze, interweaved, no
minotaur no maze. mazpiq is also composed of this :
head/body, process/residue thing, are they inverted, or as
langue/tongue. want : to write more, digesting thru your
foodslabs in here
concering mazpiq, maybe just another level -
1 2 3
d eidolon
maze speak/pic/epic
so the 2 eidolon/maze is a janus two-face, being both the
phantom of 'd', and the structuring of the epic, the speak.
and the inversion, which is symbolic, that 1 d is 'like' 3
speak/pic/epic - remaking of the world, creation myths, etc,
via the eidolon-maze as code - 1 is represented inside 3,
like the minotaur is inside the maze also in the epic as a
representation of its creation (automorphism,
automythopoiesis).
24.10.2005 23:54:33, Bjørn Magnhildøen <[EMAIL PROTECTED]> wrote:
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>500
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>500 what?
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>500 ^d
>
>http://noemata.net/d/D05296.pdf 135k, 76pp.
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500 command not recognized
EOT
cured? curified?
