25.10.2005 22:10:20, lanny quarles <[EMAIL PROTECTED]> wrote:
The huh? for Re:d Octo/per...
Dis(s).... had'e's... d-uh... re:ad t.he p/df!
you see a picture of headcode o/p
the line is pregnant (w/ buttocks):>
http://noemata.net/d/D05296.pdf
----- Original Message -----
From: "Steve Dalachinsky" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Tuesday, October 25, 2005 11:37 AM
Subject: Re: d
huh?
For the curious
Spring 2004, solipsis wrote:
I/O] in its dreaming core respeaks the labyrinth as a kind
of return of the daidala (curious work).. or in
mythopoiesis the line, and the circle..
Io is turned into a cow by Zeus - the cowork of codework,
orks of codelaboration - first en Egypt she resumed her
shape, then as Isis with code's horn.
Modulation of I/O, d or p, the pi relation between line and
circle - from periphery, external surface of a body,
transcendental/number - anyway a binary processing creating
the body and endless tail string, eidolon, the maze as image
of the snake (by I/O d/pi dots per inch resolution).
the snake swallowing its prey, or perhaps the world-snake
as 'string' 'swallowing' the world..
Pregnancy and bolus, yoni lingam yakety, unch, living lingam
in the yoni, and the androgyne. Both symbols contain the
paradox within themselves and provide a resolution. Lingam,
Sanskrit, literary 'mark' or 'sign' - is there a connection
between 'sign' and 'seed' (seme and semen)? via sema,
seme, sememe semiological adj.[Gk semeion sign f. sema
mark], seminal, symbolic inseminal, pregnancy - pregnant
expression -
this swallowing of the world is in fact presented as
inverse image
how is that? you mean containing itself, like d in
daidalonics, or G in GNU (GNU's not UNIX (not UNIX (not
UNIX)))? - the head generating part - car and cdr of lisp -
plotted into itself as something else, disguised as
minotaur? - mythical Loki created three monsters, disguises
of creation/destruction - Fenri, Hel, Midgard (the serpent
embracing the world), Hel is a kind of eternal labyrinth,
home of the dead, Fenri wolf finally swallows the earth -
begin, loop, end.
at any rate the string hasn't swallowed the world, the
world exists in the string, distributed networks etc,
dna, code.. so the product is encoded in the string so
with that pregnant d, that ariadnic thread which has
swallowed the world (which is about to digorge a 'world')
like d is the executing code, the head of the monster,
creating the world as string or as 'world' when decapitated
leaving eidolon as image, world apparition - Yme the human
monster is killed to make the world, blood, bones, brains,
etc.
The term daidala is rich with associations. In Hesiod's
Theogony, Pandora's veil is 'a wonder to behold' [thauma
idesthai], as is her gold crown, on which is 'much
curious work' [daidala polla]
codework as curious work - curious: careful, inquisitive,
cure - corresponding to algorithmic, heuristic, eurythmic -
the three monsters of code, all touched upon earlier,
algorithmic: the careful code; heuristic: the searching,
erratic; eurythmic (dance, movement): the coding by
uncoding, walking backwards, retracing the steps (like the
psychoterapeutics of thinking discussed earlier). They
correlate somewhat to science, technology, art.
choros is 'a lovely dance'
But daidala also means 'cunning skill' as when Hera dawns
the cosmos in the Illiad to seduce Zeus..
She did? Io was Zeus' mistress maybe, his cow, placed under
surveillance by Hera. Is codework I/O then also the mistress
of the world, its unfolding, desire, code?
She clothes herself in kosmon.. or 'peri chroi kosmon
echousa' having kosmon about her body..
Daidala both the cunning skill (curious) and image (work),
disguise (Hera) and undressing (Io).
Daedalus went to Knossos in Crete, where he took up
residence in the court of King Minos.. There he built a
mechanical cow which queen Pasiphae hid herself in so as
to have sex with a bull which she was lusting for.. this
union by means of a prosthetic bovine produced the
minotaur.. to hide the shame of this freak child of the
queen's perversion, daedalus built the labyrinth..
Aha
daedalus built a dance-floor, a choros, which is both
the dance and the dance-floor, then ariadne and theseus
fled to the sacred isle of delos, the birthplace of
apollo and performed a dance which was cryptically called
the 'crane dance'..
I'd wish them good luck, but Theseus deserted her and she
married Dionysos, right?
the myth is really about making and remaking, about
appearing and reappearing..
well codework is remaking, daidalonics is curious
reworkings, - 'shame and mutation'
the labyrinth is also a modulation between the two notions
of boundless and dead-end and conceals the relationship
between the terms apeiron and aporia..
is it a symbol of 'code' (and sign)? like there is no end to
code and then nothing in it, maybe as mutation (apeiron) and
shame (aporia) - everything and nothing - code/sign as
d/eidolon - the world is a shame (closed system) from the
co-'d's mutations (open system) - the minotaur is upholding
the labyrinth (by being inside it), while the
theseus-ariadne business (external) is the shame dead-end
world part.
Symmetry in the manufacturing world is something which
really isnt that important. What's important is falling
into a set tolerance range across an individual wafer..
there really isn't an aesthetic present, other than time-
saving schema based on experience for adjustments..
The heuristics of labyrinths, vs algorithmic, eurythmic,
which are symmetry and aesthetics in some way (like science
and art, while technology is hack).
: a joy to read, i can only ponder upon this dance of
knowledge and give my : daidalas in the tongue of mazpiq
(maze-speak, mazepic, epic). some correlation : between
langue and tongue, the structural system (daidalonics) and
the spoken : word (mazpiq).d + eidolon are the head and body
of the maze, the minotaur and : the maze, interweaved, no
minotaur no maze. mazpiq is also composed of this :
head/body, process/residue thing, are they inverted, or as
langue/tongue. want : to write more, digesting thru your
foodslabs in here
concering mazpiq, maybe just another level -
1 2 3
d eidolon
maze speak/pic/epic
so the 2 eidolon/maze is a janus two-face, being both the
phantom of 'd', and the structuring of the epic, the speak.
and the inversion, which is symbolic, that 1 d is 'like' 3
speak/pic/epic - remaking of the world, creation myths, etc,
via the eidolon-maze as code - 1 is represented inside 3,
like the minotaur is inside the maze also in the epic as a
representation of its creation (automorphism,
automythopoiesis).
24.10.2005 23:54:33, Bjørn Magnhildøen <[EMAIL PROTECTED]> wrote:
500
500 what?
500 ^d
http://noemata.net/d/D05296.pdf 135k, 76pp.
500 command not recognized
EOT
cured? curified?
