They're all produced directly with audiomulch (which you can also use
live) - there's no overdubbing. The theory behind at least some of this
stuff can be found in Curtis Roads' Microsound (MIT) which I highly
recommend. The notes really are in relation to the input, although I can
see where that might be difficult to see...
- Alan
On Fri, 9 Dec 2005, mwp wrote:
Yes, I remember these pieces and have enjoyed listening to them again. I?m
fascinated by how the computer is determining the pitches from the playing
(in real time, I suspect, which is amazing). It doesn?t sound like there is
any tonal relationship to the notes on the guitar. Is it some kind of ring
modulation that's affecting which notes get picked, or is it something else?
Ion3 also doesn?t seem to have the same derivation as the others. It sounds
like you are improvising to a previous recording of yourself, with only the
computer part retained in the recording, -- or is it more complicated than
that?
m
On Dec 9, 2005, at 6:41 PM, Alan Sondheim wrote:
http://www.asondheim.org/ion2.mp3
http://www.asondheim.org/ion3.mp3
http://www.asondheim.org/ion4.mp3
http://www.asondheim.org/whit.mp3
- these are a few but these are fairly primitive - I can put up others if
needs be - Alan
On Fri, 9 Dec 2005, mwp wrote:
I think Audiomulch is Windows only, so that puts me at a disadvantage.
Still, I'd like to hear what it can do. Do you know of anybody's work
that demonstrates its capabilities? Do you have any pieces that use it?
thanks,
M
On Dec 9, 2005, at 2:28 PM, Alan Sondheim wrote:
you absolutely gotta get to the audiomulch stuff, it's 50 i think but
well
worth it, might be less and i think there might be a trial period
in any case this is hardly unbearable, quite easy to listen to -
On Fri, 9 Dec 2005, mwp wrote:
HeyBullGod
2005
http://www.kunst.no/bjornmag/mpphp2004/MPDiv01x2005.mp3
[3MB mp3 audio file]
This is still in a very early phase of my investigation into the
sampling, decimating and repeating of short blocks of appropriated
audio. As such, it may be a bit more UNBEARABLE than usual, so be
forewarned! In the future, I am looking to vary the rhythm more, open
up the sound with more silences, etc. but this gives you a pretty good
bare-bones idea of what is to come. . .
mwp
For URLs, DVDs, CDs, books/etc. see
http://www.asondheim.org/advert.txt .
Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General
directory of work: http://www.asondheim.org .
For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt .
Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General
directory of work: http://www.asondheim.org .
For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt .
Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General
directory of work: http://www.asondheim.org .
