I'd be curious to know if this is a collaborative work or, if not, that the author listed at the end of the play made up little speeches for so many of the writers who participate in this list.
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] wrote:
Little Play, 1 Act, 3 scenes.
Scene 1.
Dan Waber: The silence between words
Lanny Quarles: scabs
Alan Sondheim: filtered until patterns are discerned.
mIEKAL aND: One word.
Bob BrueckL: If only I could never be there enough.
Lewis LaCook: for Mary.
John Lowther: I am, I am, I'm, I am, I am, I'm,
my true love, anyhow that's me.
But I am up for what comes.
Lucio Agra: Gorgeous ambience.
Scene 2.
Allen Bramhall: startled and palpably touched,
paradise knows, dingbats, too
abstruse, murmuring, smoke of poems,
infringing, ! with the rinds of candied limes,
in proportion to, they were cloudy,
and very grainy, unveiled before
Alan Sondheim: The others are long-wire sounds.
Sheila Murphy: What a beautiful piece
Harrison Jeff: or waking to "spectral"
Alan Sondheim: The shuddering, sky-murmur, untuned,
U-shaped long wire antenna. Spectrum,
aurality, digital, raw, stars
John M. Bennett: an a dumpster, melting, crust, rot, dim,
jot, eat, sprawl, rumple, smouldered,
toothache, swarm, bile
Tony Trigilio: intersect the lines of this "x" from its cross.
Radiant rants
Scene 3.
Bjorn Magnhildoen: what, can you change it left?
Come when I am here, dissolving
substance, zero bites hard.
Jukka-Pekka Kervinen: floppy, whack impact, proposition,
discontinuity, speech, interface, map
Alan Sondheim: Now it appears in dreamtime. Sacrifice
of being siphon cipher hyphen
chasm
Allen Bramhall: silver-plated, sig! nal, grazing, fire, balls,
your head to desire is a woman, bottom,
roughly towards, tinges towards, wireless
Alan Sondheim: I create forms and spaces so that bodies
may sway and move to distinct modalities.
CURTAIN
--Bob BrueckL
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